Allison Burnett


There’s always a very certain moment when you realize you’re watching a bad film. The magic of that moment comes from the small inkling of hope you have that the bad film you’re watching will turn out to be one of those gloriously bad films that’s highly entertaining, if light on good filmmaking. Thankfully, many films fit that bill. Unfortunately, Gone is not one of them, vacillating between hilarious ineptitude and mind-numbing stupidity. The plot centers on Amanda Seyfried‘s character Jill, who has apparently crash-landed on a planet similar in appearance to Earth. Despite being populated with humanoids, none of the aliens on Earth 2 behave in any way resembling an actual human being. Jill is a young woman trying to cope with a traumatic past. She claims to have been abducted by a mysterious man and kept in a deep pit in the forest littered with human remains. She was able to escape and tell the police her story, but they found no traces of the pit nor of any foul play in her apartment and thus concluded that she was batshit crazy and had her committed to a mental institution. Jill has been living with her sister Molly and trying to readjust to the world, but everything is turned upside when Molly goes missing one night. Convinced that her sister was abducted by the same man, Jill goes to the police, only to be mocked and told there’s nothing wrong. Flummoxed, Jill takes matters into her own hands, embarking on a Scooby […]



The ‘Fame’ remake owes a lot more to ‘High School Musical’ and other films of its ilk than the 1980 original.

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published: 01.30.2015
published: 01.30.2015
published: 01.29.2015
published: 01.28.2015

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