Alexis Denisof

cc much ado about nothing

Joss Whedon and his friends started doing readings of William Shakespeare’s plays at his house (Whedon’s, not Shakespeare’s) as long as 10 years ago, and while the idea of making a movie was bandied about it only became a reality during the busiest and most high profile time in his life. And yet he was able to adapt Much Ado About Nothing without seemingly anyone outside of the movie knowing about it. Even more surprising? It just may be the best damn thing Whedon’s ever directed. The film (and the original play) is a mix of romantic comedy and drama, and Whedon and his cast infuse it with more of both. Smart visual cues and charismatic performances fill the screen alongside the Bard’s original words, and the result is a film that should leave you smiling for days. Now, thanks to Whedon’s commentary track, we’ve learned a lot more about Much Ado About Nothing.


review much ado

Editor’s note: Our review of Joss Whedon’s latest originally ran during this year’s SXSW film festival, but we’re re-running it as the film opens in limited theatrical release. William Shakespeare has had more film adaptations of his work than any other writer by a wide margin, and that trend shows no sign of stopping anytime soon. The reasons for this are varied and exhaustive, but few would argue it’s not a great thing to see. While most filmmakers maintain the Bard’s language and historical settings, some move the action and wordplay into the present with varying degrees of success. The latest director to do so, and one of the few to do so brilliantly, is Joss Whedon. Yes, that Joss Whedon. His Much Ado About Nothing is updated to modern Los Angeles with limousines, semiautomatic pistols and men in suits, but he keeps Shakespeare’s language intact. The tale takes place almost entirely at the compound of a government official named Leonato (Clark Gregg) who’s visited by fellow dignitary Don Pedro (Reed Diamond) and his two immediate officers, Benedick (Alexis Desinof) and Claudio (Fran Kranz). The latter falls in love with Leonato’s daughter Hero (Jillian Morgese), while the former has a friction-filled and antagonistic past with the man’s niece Beatrice (Amy Acker). It’s not all foreplay and country matters, though, as Don Pedro’s manipulative brother, Don John (Sean Maher), is intent on disrupting political relations by destroying relationships.


Much Ado About Nothing

Are you one of those people who could just never get into Shakespeare? Did you pound your head against your desk when you had to read him in school? Doze off when you had to watch that acting major you were dating sophomore year of college perform in A Midsummer Night’s Dream? Well maybe Avengers director Joss Whedon making a screen version of a Shakespeare play, complete with a cast of familiar faces from all of his cult TV shows, is the thing that can finally be your gateway into The Bard. Still skeptical? No problem, because now there’s a trailer out for Whedon’s adaptation of Much Ado About Nothing, so you can give it a try without having any fear of committal. As you can see from the ad, not only does this film look like a vibrant, fun, and modern adaptation done in the Baz Luhrman tradition, but it’s also a great opportunity for genre geeks to live out dreams like watching Agent Coulson rub elbows with Captain Mal, or finally getting the chance to see Wesley Wyndam-Pryce properly romance Fred. There’s something here for everyone.


Much Ado About Nothing TIFF

What can one truly say about Shakespeare? He’s a writer whose work has survived centuries of history, and his stories are still being adapted, both directly and indirectly. While his dramatic work is what’s most delved into by filmmakers, his comedies are what’s most fascinating. The plot of Much Ado About Nothing centers on Don Pedro (Reed Diamond) serving as matchmaker to a few lovers in waiting. Pedro’s job involves matching not only the compliant, Hero (Jillian Morgese) and Claudio (Fran Kranz), but also the not so compliant, Beatrice (Amy Acker) and Benedick (Alexis Denisof). He sees what many do not and with the use of a few simple tricks to help push each couple in the right direction, he’s able to create a scenario in which love finds its way. Not focused on depth, Joss Whedon‘s take offers comedy gag after gag, and there’s barely any time when a joke doesn’t land perfectly. It helps to have the likes of Nathan Fillion, Clark Gregg, Denisof and Kranz in your cast. The actor spotlight begins early in the film, where a character calls for music, they turn to the iPod and Gregg starts swaying – creating an inextricably funny moment solely from his expression intertwined with his movement. So many comedies are unable to have more than a handful of memorable moments like this, but Much Ado About Nothing has dozens.



Joss Whedon certainly does like working with familiar faces. In fact, he likes it so much that he has made room for one of his favorites in his latest offering.

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published: 01.30.2015
published: 01.29.2015
published: 01.28.2015
published: 01.28.2015

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