Akira Kurosawa

Martin Scorsese

Last week I wrote about the history of the auteur theory and its strengths and weaknesses when applied to actual film practice. Regardless of the theory’s apparent problems, it’s clear that the idea of the auteur still holds great weight in framing the way even the most casual of filmgoer goes about experiencing cinema.

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Happy Birthday Kurosawa! Happy Birthday Toshiro Mifune! Their birthdays are a week apart, so we’ve decided to celebrate by remembering the time that Kurosawa shot real arrows at his favorite lead actor. Oh, those lovable scamps!

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This week, Old Ass Movies examines the subjectivity of truth and human nature in Akira Kurosawa’s Rashomon.

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