Adele Oscars

Adele is a mere two steps away from an EGOT (Emmy, Grammy, Oscar, Tony) having already won multiple Grammys (plus another this year making her a nine-time Grammy winner) and she just added an Oscar to that list. Adele’s now Academy Award winning song, “Skyfall,” was a perfect match for the James Bond franchise – bold, memorable, and just a little sexy. Adele’s powerful and commanding vocals seemed like a natural match for the film – and clearly it was an award winning combination. But what happens now? Adele is not the first mainstream artist to cross over into film and walk away with that coveted little gold man. Back in 2002, Eminem stopped simply telling people his story and put his lyrics on screen with 8 Mile and walked away with the Best Original Song Oscar for “Lose Yourself.” 8 Mile was Eminem’s first foray into film and while he now reserves his acting for music videos, Eminem has also worked as a musician on the 2012 film Love Written in Blood along with another well-known film composer, Clint Mansell, who created the film’s theme music.



The 70th Golden Globe Awards will be held tomorrow night, and I invite you to join myself and FSR’s awards guru, Daniel Walber, for live-blog commentary during the ceremony. We’ll try to keep it smart, avoid too much snark and will likely be obeying the rules of the drinking game that co-hosts Tina Fey and Amy Poehler have devised. It will also hopefully be more conversational than remarks we could have just tweeted, in order that I can turn the discussion around as a more readable post-event recap of the night. In case you’re too busy paying attention to your TV to also read our words simultaneously. Anyway, you can’t head into a big awards telecast viewing without predictions for what you think will win. Daniel and I seem to agree on exactly half of the movie categories. So, maybe it won’t be such a predicable night. Check out our choices after the break and give us your own predictions in the comments. If you do better than either of us, we commend you in advance (and maybe at the end of our GG coverage too).


Rick Ross

In what might be a bit of an over-correction from last year’s two-song race, The Academy has released the largest list of Oscar-eligible original songs in years, topping out at 75 tunes from the movies of the year. Naturally, the big names are there — Adele with “Skyfall” and Arcade Fire with their work on The Hunger Games — but there are also some far out choices like work featured in Death By China and Saint Dracula. With that many songs in the mix, it was bound to be an eclectic group, but even though it’ll be whittled down for the final nominee list announced January 10th, it’s nice for the time being to see “Ladies of Tampa” from Magic Mike right next to “Love Always Comes as a Surprise” from Madagascar 3. Here’s the complete list with a few examples for your listening pleasure:



Skyfall feels, in many ways, like the last film in Daniel Craig‘s tenure as James Bond. It’s only his third go round as the British secret agent, but he’s already haggard, unshaven and tired of the back-stabbing, gun-toting rat race. When a list of MI6’s undercover agents is stolen (that’s right, it’s the old NOC list chestnut!) Bond and Agent Eve (Naomie Harris) are tasked with recovering it, but the mission goes awry and Bond is left for dead. He’s not, obviously, but he’s enjoying the peaceful anonymity and seaside screws too much to give a damn about anything else. But when MI6 is attacked back in London Bond rises from the dead and returns to duty. He tries to anyway, but injuries, indifference and a battered spirit threaten to keep him on the bench. It’s only when the stakes get personal for him and M (Judi Dench) that he musters the will needed to fight back. But will it be too late? Skyfall is big, beautiful entertainment that delivers the expected action set-pieces but adds truly artistic visuals and multiple odes to Bond films of the past fifty years. It’s never dull, occasionally surprising and unafraid to delve into Bond’s life more than any film since On Her Majesty’s Secret Service. Unfortunately (and unnecessarily), all of that comes at the price of gaping plot holes and staggering lapses in logic.



Last night a bunch of critics in the UK were treated to an early screening of Skyfall, and while nobody invited any of our diehard 007 junkies, I figured it’s worth our while to take a look at the first reactions to the new James Bond blockbuster. To do so, I’m using the recent breakdown of elements by one of FSR’s resident Bond experts, Kevin Carr, in order to dissect the reviews and highlight their takes on each individual ingredient. What about overall opinions? It seems they’re generally of a simple consensus, that Skyfall is not only a great return for the series following the disappointing Quantum of Solace but it may be one of the best Bond installments yet. This feat is achieved, apparently, in director Sam Mendes‘s balance of serious and nostalgic tone, brought about with a script (by Neal Purvis & Robert Wade and John Logan) pays tribute to the past films and franchise conventions while still also delivering a lot of fresh ideas. And Roger Deakins‘s cinematography sounds like a real highlight of the film — even Oscar-worthy, according to some critics. Check out what the reviews (linked at the bottom of the page) have to say about Bond’s fit with the 10 main ingredients of a 007 film after the break.


Adele - Skyfall

If there’s one theme that emerges from the Skyfall theme from British crooner Adele — which you can listen to below — it’s that the end is coming. But what is it, exactly, that’s ending? Surely not the time of Daniel Craig’s James Bond era. Nor the Bond franchise, both of which will go on long after the Sam Mendes 23rd film in the franchise. What it has to do with the movie, we don’t yet know, but it’s a fun thought exercise. Beyond that, the new theme is moody, melodic and full of grande promises about the nature of the November release.

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published: 01.26.2015
published: 01.26.2015
published: 01.26.2015
published: 01.26.2015

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