Adam Goldberg

Adam Goldberg in Fargo

In many ways, I liked this week’s episode of Fargo, titled “Buriden’s Ass,” as much as I disliked last week’s (both of them were directed by Colin Bucksey). It wasn’t perfect, but it had a good deal of action and racked up a serious body count. Not that deaths make a good show, but it was enough that stuff was happening. And much of that stuff led to conclusions for certain characters and questions for and about others, questions that are intriguing rather than frustrating. Some characters make really dumb choices, as is expected in this series, but interestingly Lester (Martin Freeman) was not one of them this time. He finally made decisions that indicate he could just make it through the finale alive, after all. There are two moments in the episode where characters are shown to be really thinking about what to do next. For Lester, it’s with a surprisingly lengthy close-up on Freeman’s face as he works out his plan. And by episode’s end, it seems to have been a good plan, albeit one involving a very cliched escape scenario and a few too many instances of illogical luck (why did no one from radiology look for their scheduled patient? why did Lester’s nephew do nothing when he saw the guy creeping around the house?). Then there’s Stavros (Oliver Platt), whose thought process was accompanied by those annoying reminder flashbacks. And by episode’s end, it seems his decision was not a good one at all.

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I make no effort to hide my love and appreciation for Seann William Scott. I’ve always thought he was hilarious and on top of that, he broke my journalism cherry. My first ever interview/junket experience was for Role Models where I was seated, along with two other journalists, and Seann William Scott. To put the sweet love icing on the cake, Scott complimented me while I sat there quietly, in a bit of audio I’ve kept ever since. Why am I telling you this? Just so you know, because I’m about to gush all over Goon. You can make your own judgement call whether or not my view is too tainted, but when you weigh this review against other reviews, you’ll find that in all likelihood, this is just a good movie. Goon currently has a 76% approval rating on Rotten Tomatoes. Now that the unpleasant awkwardness of my manlove is out of the way, Goon is the story of very talented ass-kicker and mediocre hockey player Doug Glatt as he makes a bloody splash on the ice. Early in the story, Glatt moves from fan to fan who kicks a hockey player’s ass to low level hockey star to semi-pro star enforcer.

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Criterion Files

When I write this column, I typically don’t get the opportunity to write about movies from my teen years. I, like many, came into a cinephilic love for art and foreign cinema during college, and in that process grew to appreciate The Criterion Collection. Richard Linklater’s Dazed and Confused (1993), however, is a movie that’s followed me through various changes in my life for (I’m just now realizing as I write this) about half of my time thus far spent on Earth.

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(Untitled) is a sharp satire, pitched at a precise tone, that’s the perfect movie for anyone who’s ever questioned what makes some modern art, art.

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Fans of this year’s underground internet sensation turned box office flub Grindhouse will know exactly who I am talking about when I say the name Marley Shelton. That is, as long as you stuck around for the credits.

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