Some movies, no matter how old they are, never age a day. Their situations and themes remain as relevant now as when they were first released. Watching them today, they reflect and comment on our present in ways they couldn’t possibly have anticipated. Every month we’re going to pick a movie from the past that does just that, and explore what it has to say about the here and now. Today, Billy Wilder’s entertainingly cynical 1951 film, Ace in the Hole, gets a gorgeous Blu-Ray treatment from Criterion, and it’s a perfect movie to start this column with. In it, a down-on-his-luck reporter, Chuck Tatum (Kirk Douglas) stumbles upon a story about a man, Leo (Richard Benedict), trapped in a mountain tunnel. Tatum decides to sensationalize, exploit, and manipulate Leo’s misfortune into a media frenzy to help resurrect his career. While the kind of print journalism we see in Wilder’s film may be dying, its representation of media and its consumers translates perfectly to our age of pay walls, YouTube and digital subscriptions. Here are five ways Ace in the Hole evokes not only its own time, but ours.