About a Boy

Chris Elliott Get a Life

Sometimes I think Hollywood is directly screwing with me, personally. Recently I compiled a list of the comedies from the 1980s that couldn’t be made today. Big was one of the 10, and the feature itself was inspired by a commemorative piece for its 25th anniversary from a year earlier. At that time I’d written, “We can’t be sure that this movie won’t be remade anytime soon, but we can be sure it won’t mean as much after the careers of Adam Sandler, Chris Farley, Will Ferrell and others of their ilk.” Well, now suddenly there are plans to remake Big, albeit as a TV sitcom on Fox rather than a movie. My point about the premise of Big‘s lack of relevance today still stands, especially in the wake of A.O. Scott’s much-discussed New York Times Magazine article on “The Death of Adulthood in American Culture.” The people developing the Big show seem to be aware of the issue they face, however, with the pitch communicated via Deadline being that it will “explore what it means to be an adult, what it means to be a kid, and how in today’s world those two things are more confused than ever.” The problem then, I think, is that the source of comedy — seeing a grown man act like a 12 year old — is gone, and this is sounds more like a drama with social commentary regarding the modern prevalence of grown men who at like 12 year olds. Either way, is it going to have much […]

read more...

THE BATTERY discs

Welcome back to This Week In Discs! If you see something you like, click on the title to buy it from Amazon. The Battery The zombie apocalypse has left America a wasteland of the undead with pockets of mankind struggling to survive. Two former baseball players forced by the situation to become fast friends travel the country looking for supplies and safety, but their different personalities and views on the situation lead to dramas far removed from the flesh-eating varieties. Zombies have been ubiquitous in the horror genre for years now with three out of every five horror films focusing on them as their monster of choice. (I totally made that up, but it feels right.) The vast majority of them are pretty damn terrible, but once in a while a real gem comes along, and one of the best is this American indie that dares find the humanity in a story about the inhuman. It feels like a drama, but a lack of flesh-chewing scenes doesn’t mean it’s devoid of horror as the reality these men find themselves in is a terrifying one. Writer/director Jeremy Gardner (who also plays one of the two leads) is a refreshingly smart new voice in genre film-making. [Blu-ray/DVD extras: Commentary, making of, outtakes, featurette, trailer]

read more...

trading places curtis new year

There are so many movies with New Year’s Eve scenes that we might be able to make a list of 2,013 of them. Especially if we separate each scene from movies completely set on the night, such as New Year’s Eve, 200 Cigarettes and the Assault on Precinct 13 remake. But we’re going to keep it simple and exclude 2000 of those to share only 13 favorite moments of movie characters ringing in the new year. None of them are from those three aforementioned films, by the way. And since we’ve obviously left a bunch of scenes out, at some point before you go out to party or get situated on your couch ready to watch the ball drop, do tell us which New Year’s Eve scenes you love. Oh, and merry new year!

read more...

About a Boy gets a TV series

Hugh Grant is in need of a comeback. But this is not a story about that hypothetical comeback. (Although Grant fans should most definitely check out his crazy, cruel and fantastic performances in the upcoming Cloud Atlas.) Instead, news has broke that one of Grant’s finer films, his last great one with him in a leading role, is getting adapted into a television series. About a Boy featured Grant as a cynical, well-off bachelor incapable of forming real human connections, but when a teenager (Nicholas Hoult) facing his own social obstacles form an unlikely friendship with him they both learn that growing up doesn’t have to be a bad thing. Chris and Paul Weitz adapted the Nick Hornby novel for the big screen in 2002, and the story (in both mediums) is a wonderfully warm, often acerbic look at relationships and loving the people who matter most.

read more...

Back in May, the illustrious Matt Patches put together a list so honest, so compelling, so original, that I had absolutely no choice but to copy it almost totally wholesale to craft my own version. Patches’s list was comprised of eight films his previous girlfriends had forced him to watch that made him who he is today (the list was, of course, titled “8 Movies My Past Girlfriends Forced Me to Watch That Made Me Who I Am Today” because we here at FSR are nothing if we are not succinct). The list, while interesting on a purely cinematic basis, also said something surprisingly deep about the nature of relationships themselves – mainly when it comes to the all-important element of compromise. Patches, a gentleman and a scholar, found some compelling honesty in his consistently sweet tales of cinematic (and romantic) discovery. My list starts off with a film that made me realize my first boyfriend was possibly also interested in other men. That’s just the sort of list this is. Here are seven movies that seven different suitors all “forced” me to watch at different points in my (admittedly still young) cinematic life. More than any individual lesson each film taught me, together the list forms one giant reminder of what I love best about going to the movies – endless possibility. Take a peek at my list after the break, and then feel free to pipe in with any films that someone made you watch that ultimately changed your […]

read more...

It’s a shame that Chris Weitz may call it quits on directing this early. While he says below that he may not be done yet, there was something sad about him saying directing just isn’t that “fun” for him anymore. As Weitz pointed out, the news of his possible retirement didn’t quite rank up there with all the crying old ladies Steven Soderbergh got when he announced his a few-years-off retirement, but after Twilight: New Moon, could you blame some people for not protesting? Had the news come out after his latest film was released, A Better Life, there would have been much more disappointment to the idea. If anything good came out of us having to sit through New Moon, Weitz got to make a modest character drama that we don’t see too often. After The Golden Compass (a film he’s publicly called a failure multiple times) and New Moon, it seemed like the director had turned to big-budgeted commerce driven projects, rather than continuing in making great dramas, like About a Boy. But, as he says below, unless you don’t carry enough clout from doing films like Twilight, getting a studio drama like this off the ground wouldn’t be easy. Here’s what director Chris Weitz had to say about leaving filmmaking behind, finding emotional authenticity, and whether or not making A Better Life gave him a brighter outlook on directing.

read more...

Adam Sandler lucked out. Instead of having to sell his soul to the Devil to become a top-grossing, leading man, he found a inexplicable role that Hollywood continues to perpetuate and sell to the masses: the smug, amoral love interest. Just in time for Valentine’s Day, Sandler returns with Just Go with It, in which he pretends to be a married man as a way of roping in sympathetic woman. His best friend (Jennifer Aniston) strongly disagrees with his practices – think they’ll fall in love? Of course they will, this isn’t a Lars von Trier film. Forgiveness is pushed to its limits in American romantic comedies and Sandler isn’t the only offender. Countless relationships have blossomed from a quick change of heart and a tagged-on apology, and the formula continues to work. When the nice guys finish last, these guys finish first:

read more...
Twitter button
Facebook button
Google+ button
RSS feed

published: 11.21.2014
D
published: 11.21.2014
B+
published: 11.19.2014
C+
published: 11.19.2014
B-, C


Some movie websites serve the consumer. Some serve the industry. At Film School Rejects, we serve at the pleasure of the connoisseur. We provide the best reviews, interviews and features to millions of dedicated movie fans who know what they love and love what they know. Because we, like you, simply love the art of the moving picture.
Fantastic Fest 2014
6 Filmmaking Tips: James Gunn
Got a Tip? Send it here:
editors@filmschoolrejects.com
Publisher:
Neil Miller
Managing Editor:
Scott Beggs
Associate Editors:
Rob Hunter
Kate Erbland
Christopher Campbell
All Rights Reserved © 2006-2014 Reject Media, LLC | Privacy Policy | Design & Development by Face3