Aaron Sorkin


What is Movie News After Dark? This is a question that I am almost never asked, but I will answer it for you anyway. Movie News After Dark is FSR’s newest late-night secretion, a column dedicated to all of the news stories that slip past our daytime editorial staff and make it into my curiously chubby RSS ‘flagged’ box. It will (but is not guaranteed to) include relevant movie news, links to insightful commentary and other film-related shenanigans. I may also throw in a link to something TV-related here or there. It will also serve as my place of record for being both charming and sharp-witted, but most likely I will be neither of the two. I write this shit late at night, what do you expect?


Armie Hammer can remember back to his high school days when the craze of Facebook started being whispered around the hallways, and he caved to peer pressure and joined. Now, he’s playing two people in The Social Network with the benefit of some great CGI. Luke Mullen sat down with the star to discuss playing twins, working with David Fincher, and the musical quality of Sorkin’s writing.



The Social Network is nothing new, but that’s kind of the point. Its structure creates a story of uniquely American ingenuity, individualism, and capital that we’ve seen often, one that follows beat-for-beat the formula of young, ambitious, humble beginnings to meteoric rise toward contested success to the people that really mattered being inevitably pushed out of the way. It is in The Social Network’s belonging to that subgenre which draws apt comparison to films like Citizen Kane, Sweet Smell of Success, or There Will Be Blood – not qualitative comparisons, mind you (the very title of Citizen Kane has become an inescapable and meaningless form of hyperbole in that regard), but comparable in terms of basic narrative structure and genre play. Such narratives are perhaps more common in films depicting less legitimate business practices – gangster films – which also catalog the rise in stature but fall in character of an outcast who uses the system for their own advantage. From starry-eyed associations with questionable made men (Timberlake’s Sean Parker and the debaucheries of success associated with him) to the inevitable “hit” on one’s kin in the best interest of the business (Zuckerberg and Parker firing Eduardo Saverin), The Social Network is something of a Goodfellas for geeks. Why is it that the first major studio film about the phenomenon of social networking feels like such a familiar movie? Why does it resort to well-honed, expertly crafted but familiar cinematic territory instead of pioneering unexplored terrain analogous to the phenomenon […]



Set against the backdrop of the founding of Facebook, The Social Network is blazing a trail through the internet and through the world of Oscar buzz right now. Set against the backdrop of a lovely floral arrangement, our very own Luke Mullen hypnotizes screenwriter Aaron Sorkin with his beautiful beard in order to ask the hard questions and get the tough answers about the movie and how it was shaped. Sadly, the video does not depict any scenes of Sorkin being cruel to puppies.


Justin Timberlake, Jesse Eisenberg, Social Network

Be it good or bad, The Social Network has certainly caused some extreme reactions. It was met with almost universal skepticism when it was first announced and has now seen nearly universal praise leading up to its release in theaters. Initially referred to as “the Facebook movie” in a way clearly meant to belittle it, audiences at early screenings across the country have discovered that description simply isn’t accurate. Is the movie about Mark Zuckerberg and the inception of Facebook? Of course it is.  But to say that this is a detriment to the film’s potential is just plain wrong. The Social Network follows the story of Mark Zuckerberg, a young computer genius attending Harvard University. After breaking up with his girlfriend and some drunken blogging, Mark decides to create a site to rank the sex appeal of Harvard co-eds. He uses his exemplary computer knowledge to download pictures from the online photo catalog’s that each house or dorm at Harvard has for students to get to know one another.  He compiles the photos into a website which he dubs facemash.com similar to hotornot.com where visitors are presented with two pictures and asked to click on the one who they find sexier. The site crashes Harvard’s computer network in a matter of hours, garnering tens of thousands of htis and drawing the ire of the administration. This leads to Mark developing a new website which he calls The Facebook. Eventually changed to just Facebook with the help of Napster-founder Sean […]



It seems so long ago that people were laughing about the idea of a Facebook movie. Then David Fincher signed on. Then Aaron Sorkin signed on. Then things didn’t seem so funny anymore. It’s a film that’s been almost over-exposed even before launching its first trailer, but that moment has arrived, and it’s time to see truly how much over-exposure this bad boy can get.



Hollywood should grow a pair and do a startlingly different take on Superman. Instead of the same old origin story, dare to create something new and phenomenal.



Variety is reporting this evening that Rashida Jones, best known for her role on The Office and her current role on Parks and Recreation, has joined the cast of the David Fincher directed film The Social Network.



You’re about to get a friend request from David Fincher.



Aaron Sorkin is writing the script, David Fincher will be seated in the director’s chair, and now The Social Network, otherwise known as “The Facebook Movie,” is getting a surprisingly solid cast of leading men. Is there no end to how oddly impressive this project will become?



According to those that have seen the script, it seems so.


Aaron Sorkin Working on The Challenge

Aaron Sorkin will be bringing his iconic writing skill to a courtroom drama for George Clooney to direct and possibly star in.



I don’t know why, but apparently Aaron Sorkin has the jones to write a Facebook movie. Although information about the film itself is not available we can assume that Sorkin will be writing about the story of Mark Zuckerberg, a ridiculous billionaire who’s a year younger than I am.



Steven Spielberg backs out of Chicago 7, putting the production in serious jeopardy.

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published: 01.28.2015
published: 01.28.2015
published: 01.28.2015
published: 01.27.2015

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