A Mighty Wind

Zoolander

From Robin Williams’ suicide to James Foley to the shooting death of Mike Brown and the ongoing tension in Ferguson, Missouri, that it inspired, it’s been a really crappy month. The idea that there’s always something bad going on seems to have reached new heights, obliterating the Rule of Three and morphing social media into a daredevil experience – stay current if you dare. In times like these we need moments of recalibration, feel-good experiences that allow us a reprieve from the negative. As movie fiends, film is the perfect safe-haven, or so one would think. During the mess of drama this week I started Googling feel-good movie lists and was shocked to see how many required the viewer to feel bad before they felt good (if at all). Lists included the melancholic Little Miss Sunshine, Robin Williams’ own dark suicide comedy World’s Greatest Dad, the Holocaust drama Schindler’s List, and Up, which requires you to go through cinematic devastation before the sweet journey. One list of movies “that instantly make your day better” even includes Magnolia. Another at IMDb is labeled as “feel-good melancholic atmosphere.” Sure, these films might make some viewers feel good, for whatever reason – we all have beloved films that other people can’t understand – but they aren’t “feel-good” films guaranteed to brighten everyone’s day. They are not movies someone who is feeling bad can turn on to lighten their mood and take them out of their angst and pain. So, in an attempt to […]

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Best Movies 2003

Everyone is making lists this time of year (including us), but talking about the movies of 2013 has gotten a little old, so we decided to turn to old movies in order to feel new again. Old being relative. With the fog of hype and immediacy washed away, Joanna Robinson from Pajiba and FSR’s own Landon Palmer join Geoff and me to discuss our favorites of 2003 and discover some connections to the trends that would dominate a decade later. You should follow Joanna (@quityourjrob), Landon (@landonspeak), the show (@brokenprojector), Geoff (@drgmlatulippe) and Scott (@scottmbeggs) on Twitter for more on a daily basis. And, as always, if you like the show (or hate it with seething fervor), please help us out with a review. Download Episode #44 Directly Or subscribe Through iTunes

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Over Under - Large

The mockumentary is a relatively recent genre of storytelling whose origins are probably as recent as the last hundred years. And that’s including all stories that could be considered mockumentaries by stretching the definition. The actual term, “mockumentary,” is even newer. By some accounts it first came into use when Rob Reiner used it to describe his 1984 cult classic This is Spinal Tap. Adding a word to the lexicon could be seen as a pretty big accomplishment for a goofy comedy, but, despite its subject matter, the legacy of this film shouldn’t be downplayed. Few movies live on as long and remain as popular as Spinal Tap has. Every few years a new generation of college kids discover this thing, and its legend just keeps growing. Far from being an originator, A Mighty Wind is a later film from the crew of mockumentarians led by Christopher Guest. And despite the fact that it’s full of a lot of good work, it often gets a bad rap. Guest and crew’s previous efforts, Waiting for Guffman and Best in Show, were so ridiculously funny that A Mighty Wind gets unfairly judged in comparison. And that’s unfortunate for a couple reasons. For one, those first two Guest-directed mockumentaries were such a high water mark for the genre that it was probably unfair to expect them to keep producing at such a level. And secondly, A Mighty Wind goes for funny a bit less that its predecessors, and plays a bit more in […]

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