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It is possible for family films, like any other film genre (or, for that matter, any other entertainment medium), to play to the cheap seats. It’s just that in the case of family films, those seats are brightly colored, made of molded plastic, and help little Jimmy see over the lady in front of him at the theater. When a filmmaker resigns himself to aiming the core of their movie low enough that only the tiniest of funny bones will be struck, story and character development take an unfortunate back seat. This issue has been raised and examined in many reviews on this particular site, and often due to the fact that the family film under review is guilty of sacrificing craft for a demographic-pandering layup. ParaNorman also calls to mind this issue, but quite fortunately, that’s only because it stands as a sterling example of a film that exists free of that compromise. ParaNorman is the tale of a boy named, unsurprisingly, Norman, who has been blessed/cursed with the ability to converse with the dead. This ability, as one would expect, leads to his being ostracized by his peers, mocked by his sister, and even resented by his father. Norman’s typically benevolent visions of the other side become increasingly sinister and foretelling of a horrible fate facing his community. Are the sins of Blithe Hollow’s past threatening to destroy its future? Is Norman the only person equipped to halt the impending Armageddon? Will saving his town finally get the […]

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published: 11.26.2014
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published: 11.26.2014
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published: 11.21.2014
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published: 11.21.2014
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