2010

In most years of film one can logically find a common theme amongst a decent number of pictures to apply a label that sort of embodies what that year may represent in hindsight. Such as, the year of the Animated Film if a bunch of strong animated pictures were released, or the year of Jude Law if Jude Law did stuff, or the year of the R-Rated sex comedy if there were a bunch of films that made you remember you’re comically bad at sex.

The theme is usually something very superficial and easy to locate, unlike certain things difficult to locate that make you comically bad at sex. However, I’m somewhat of an introspective individual. I don’t like to buy into simply what’s on the surface. I like things to mean more. I like the potential of finding something connective between some generally unrelated material.

Basically what I’m saying is I like to make shit up for the purpose of entertaining journalism. Yet, despite my reaching deep into the abyss of irrelevance I have come back with the knowledge that a handful of pictures from 2010 contain something substantial about them, or contained within them that does work metaphorically as strong advice about particular relationship situations, or sexual inadequacies or troubles.

The fact that I found them in films ranging from children’s fare to horror pictures obviously says more about the film industry than my obsession with finding sex in everything.

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Coroner

A couple of times each year I like to take a moment to just look at how horror is coming along in the year. Take a look back and what we’ve seen this year so far and gaze into the future of what’s still to come. Thus far, 2010 has been fairly underwhelming overall, and the horror scene has been no different on the big screen. We got, as usual, a bunch of remakes – at least four theatrical so far come to mind – and very few standouts. Perhaps the biggest news of the year in terms of horror was the remake of Nightmare on Elm Street being critically panned by everyone except me, but performing well enough to merit sequel considerations. On DVD, Roger Corman has been thrust back into the spotlight with Shout! Factory’s re-releasing of his massive library.

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This week, on a very special episode of Reject Radio, we decide never to do the show ever again in 2009.

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published: 12.19.2014
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published: 12.18.2014
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published: 12.17.2014
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