While indie filmmaking is often thought of as one of the big frontiers of artistic experimentation, the uncomfortable truth is that formula has crept into the world of the indie drama over the last decade or so. If you’re going to see an indie film, expect for it to be about a creative twenty-something and their struggle to face an uncertain future all the while stumbling into what may be their life’s greatest love, and expect it to be quirky.
At first glance, Mark Webber’s new film, The End of Love, looks like it fits neatly into this little box. A film about a single father trying to juggle the responsibilities of raising a son with his dream of becoming an actor and the glamour of hanging out at Hollywood parties seems like just the sort of thing that would sell a lot of tickets at that local arthouse theater in the hip neighborhood.
It doesn’t take long for The End of Love’s trailer to sell you on the idea that it’s something different, however. Not only does this story turn the typical tropes on their heads by taking place after the loss of that great love instead of during the opening phases of it, it also injects far more open wound vulnerability into its proceedings than we’re used to seeing on the screen. Indie actors are often quirky, sometimes bumbling. Zooey Deschanel would even have us believe that she’s “adorkable.” But the sort of pained, lonely yearning that Webber shows in these clips? Rarely does an actor have the courage to project this kind of weakness, and it feels like a breath of fresh air.
Our very own Allison Loring, having seen the film at Sundance, called The End of Love “a moving story of what it means to live after loss.” In the mood for something heartbreaking? You’ll have your chance on January 21, when the film hits theaters. But, for now, we have a trailer, a trailer that features familiar faces like Amanda Seyfried and Michael Cera. Enticed? [via Cinema Blend]
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