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It’s only been ten months since a Stephen King film was playing in theaters, but we’re already just two months away from the next. Once upon a time that year-long wait between adaptations would have seemed crazy– back in the ’80s and early ’90s there were frequently two or three of them in the multiplexes simultaneously – but he hasn’t been nearly as ubiquitous onscreen in the 21st century. There have only been nine feature films based on his work since 2000, and pretty much only one of them is worth a damn. His latest stab at the box-office is A Good Marriage, a film written by King from his own short story. The always fantastic Joan Allen plays a woman who discovers her loving husband (Anthony LaPaglia) may just be a serial killer. There’s no shortage of movies about couples, secrets and the possibility that one of them might be a murderer, but the ones that work best (Presumed Innocent, Jagged Edge) succeed in part because of the mystery and suspense as to whether the person is guilty. The first trailer for A Good Marriage seems uninterested in taking that route. Check out the uninspired trailer below and keep reading to see what other films King has in the adaptation pipeline.

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Twilight Texting in Theaters

Here’s some fun news to read after watching the trailer for Jason Reitman’s latest (see our post from earlier today). And by fun, I’m sure for many of you I should mean infuriating. According to The Hollywood Reporter, Chinese cinemas are testing out a new system for interactive moviegoing where the audience is able to contribute to running commentary of the film on screen. The gimmick involves “bullet screens,” which are named such for the way the messages scroll across the movie, and it’s a concept that’s been around for a while online in Japan and more recently China. The new big screen version, though, can currently be found in 50 theaters in Beijing, Shanghai, Hangzhou and other cities, specifically at showings of the 3D animated feature The Legend of Qin. Why an animated feature? Because it’s mostly young people who are interested in the danmu craze, as bullet screens are called over there (danmaku in Japan), and because as THR relays from a translated Chinese publication, it’s “for younger viewers who can’t spend five minutes away from their tablet or phone.” That sounds like theater owners are both cashing in on a trend (each text sent to screen costs 10 cents) and perpetuating a new social problem that probably doesn’t need encouragement. This is the same country that, as shown in the new documentary Web Junkie, has enough of an issue with youths being addicted to the Internet that they’ve become the first in the world to label it a clinical disorder. Interestingly enough, the director of The […]

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Men Women and Children

Does Jason Reitman hate texting? From the looks of the first trailer for his Men, Women & Children, that definitely seems to be the case. Reitman’s latest is all about the secrets we keep online and that threaten to leak into the real world — which makes it kind of weird that the film’s marketing is encouraging fans to use the Whisper app to share their secrets, because that sure seems like something that’s pushing precisely what the film is against – with everyone constantly staring at their phones and looking shocked. Not a fan of films that use cute graphics to share texts, emails and pix on the big screen? Oh, you’re going to hate this one. Reitman’s film centers on a loosely connected group of students and their families, though it appears that they are all linked by their mutual sadness and disconnection. Put down your phones. Start living your lives. The Internet is bad. You are watching this trailer on the Internet, which is weird, right? Hmm. Watch the first trailer for Men, Women & Children after the break. You can probably do it on your phone.

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Bradley Cooper in The A-Team

Although Bradley Cooper was not physically onscreen during this summer’s Guardians of the Galaxy as the feisty and volatile Rocket Raccoon, his role voicing the smallest defender of the universe put him squarely on the path to becoming a bonafide action star. That raccoon knew what he was doing around a ray gun. And no, starring in the 2010 reboot of The A-Team definitely does not count. Cooper has never been an actor who has sat idly in his roles, picking parts that run the gamut from comedy, to romance, to drama and satire; it’s a natural progression that transforming into an action star would be next. Warner Bros. has a plan, acquiring the book rights to Mack Bolan, a character created by Don Pendleton, to create a starring vehicle for Cooper. The author chronicled Bolan in 37 novels often referred to as “The Mafia Wars,” but ghostwriters kept him alive in hundred of other serializations over the years. Bolan is a tough as nails anti-terrorist operative who is all-American and bleeds red, white and blue. He’s often in extremely sticky situations, but pulls himself out unscathed — usually with a new romantic conquest at his side at the end of the adventure. Think along the lines if James Bond were from Massachusetts and served as a Green Beret.

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The Jungle Book

There is a down and dirty street fight a-rumblin’ between The Jungle Book and The Jungle Book: Origins. Both are adaptations of Rudyard Kipling‘s classic boy-meets-bear novel “The Jungle Book.” Both are releasing within a year of each other, with the former (backed up by Disney and director Jon Favreau) coming next October, and the latter (WB and Andy Serkis) set to launch next next October. Prepare yourself for at least a solid year of back and forth Three Stooges eye-gouging between the two. Today is the first meeting of finger and soft, unguarded eyeball. The Hollywood Reporter has the first piece of casting for Serkis’ Jungle Book: Origins, and it happens to be really, really stellar casting: Benedict Cumberbatch will play the skulking, boy-hungry tiger Shere Khan. Picture in your mind’s eye, a staggeringly lifelike digital tiger, a la Life of Pi. Except when he opens that fanged maw, a regal Smaug smoothness pours out (probably not as deep in tone as Smaug’s was, but you never know). As he pads about, the slinky English lilt in his voice barely disguises how much he would enjoy disemboweling and consuming us all.

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John Slattery as Howard Stark

For months, the mystery of who would take the reigns from Edgar Wright and direct Ant-Man dominated all coverage of the Marvel flick. But ever since the baton was passed to Peyton Reed, focus has been able to switch back to the good ol’ casting frenzy. Today, Marvel sent out a press release announcing that production has officially started in San Francisco on the much-anticipated film. That in itself is exciting enough news, with Reed also tweeting “LET’S. GET. small.” early this morning. He’s a man with a plan, and it’s on a teensy tiny scale. Good things come in small packages, haven’t you heard? But the press release contained something even more amazing: a barrage of cast members to round out the film’s core ensemble. The new additions are Bobby Cannavale (Boardwalk Empire), Judy Greer (Dawn of the Planet of the Apes), Michael Pena (End of Watch), Abby Ryder Fortson (Togetherness), David Dastmalchian (Prisoners), Gregg Turkington (The Comedy), Wood Harris (The Wire), rapper T.I. (Identity Thief) and John Slattery (Mad Men).

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Iron Man Original Suit

Not only is Doctor Strange not going to tell us how Stephen Strange became the Sorcerer Supreme, but starting with that movie, Marvel Studios is done with origin stories altogether. That’s a scoop revealed by Badass Digest’s Devin Faraci while a guest on Meet the Movie Press last week. It’s an unconfirmed piece of information, particularly the broader point about the whole franchise, and of course it doesn’t apply to Ant-Man, which goes into production today, way ahead of the Dr. Strange vehicle. Still, whether true or not, there’s a certain excitement spreading around in fanboy and movie geek circles as a result of the possibility. Origin story movies are apparently a much-hated part of superhero cinema. But why? Because it’s the expected start of any series to set up the character, especially for audiences who aren’t as familiar ahead of time as the geeks are? Too bad, because Hollywood wants to cater to the moviegoers who aren’t also comic book readers, and those moviegoers want to see movies about superheroes, including ones they don’t know a lot about already. What I find odd about the hate thrown at origin story movies is how many of the best and most popular superhero movies are first installments focused on the beginnings of their respective characters. Look at Superman: The Movie, Iron Man, The Avengers (as a team) and I’ll throw in Unbreakable. Sure, there are a lot of number-twos favorited over their first films, including Spider-Man 2, The Dark Knight and Captain America: The Winter […]

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Hateful Eight

Quentin Tarantino‘s righteous fury at those who leaked The Hateful Eight‘s screenplay has abated. The film is no longer spite-cancelled, and it may start shooting as early as early next year (according to /Film, who heard the news on Fox 59, who in turn heard it from Kurt Russell). Tarantino’s heart has swelled so profusely that not only is he going to give us The Hateful Eight, he’s going to give us a trailer next week. /Film, once again, has the scoop, having found mention of a Hateful Eight trailer on the Alberta Film Ratings board, and then also hearing from people working in local multiplexes, who’ve been notified that a minute and 40 seconds of Hateful Eight will run before Sin City: A Dame to Kill For. Then, Deadline wrapped everything up with their own confirmation. However, there is a caveat- in order to see that fateful Hateful Eight tease, you’ve got to pay to see Sin City in theaters. No online release, people. Or, for the realists out there, no online release, except for a shaky phone recording where some guy’s head is blocking half the shot, people.

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Tom and Leo in Inception

Two years ago, we told you about a project teaming up Leonardo DiCaprio, Tom Hardy and Tobey Maguire as producers of a drama about animal trafficking for Warner Bros. The film was inspired by Hardy’s friends, former Special Forces operatives who went on to become anti-poaching fighters in South Africa and other nations where the problem ran rampant. Although that project is still in development with Hardy in the lead, Deadline reports the same three have signed with the same studio to produce another film about the same issue, and they may all star in this one. Scripted by Will Staples, so far best known for writing video games and the as-yet-unmade Mission: Impossible 5, the new project will follow a structure somewhat in the vein of Steven Soderbergh’s Traffic, as in it’s taking a multistory approach to the impact of animal poaching. The film will explore the heinous industry from every facet and angle, from the dirty back door dealings that start the whole process, to a glimpse into the life of a poacher — and what could possibly make hunting down and slaying animals for profit a great career choice — to every single minion hanging out in the seedy dark corners of a trade that okays capturing an elephant for its ivory and storming the seas to fish for sharks for their valuable fins.

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Screengrab / North by Northwest

Earlier this week, Alfred Hitchcock celebrated a birthday. Rather, fans celebrated on his behalf. He would have been 115 years old. Many fans have been passing around this video published as a college project in 2012 by Morgan T. Rhys. Simply titled “Every Alfred Hitchcock Cameo,” the video shows exactly that: Alfred Hitchcock’s cameos from The Lodger to Stage Fright and beyond. Many cinefiles can recount for you his cameos in North by Northwest or on a newspaper in Lifeboat, but this video shows all the lesser known and slightly more subtle appearances he made in his own movies. Watch for yourself and enjoy Hitchcock making himself one of the most infamous extras of all-time.

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Fleischer Studios

It’s time for a game of movie news Mad Libs. First, name a long-obsolete classic cartoon character. Then, an American Idol judge (past or present). And finally, an action normally taken by a moody teenager. The results are in: The beloved character of Betty Boop is getting her own movie musical by Simon Cowell, prompting the rest of the world to roll their eyes with enough force to send them hurtling out of their sockets. This random-seeming jumbling of nouns and verbs (okay, maybe the eye-rolling makes perfect sense) speaks the truth: Cowell really is working on a Betty Boop movie. According to Variety,  Syco Entertainment, the entertainment magnate headed up by Cowell and Sony, is working on a “music-driven hybrid animated comedy” starring the animation world’s first leading lady. Also, “hybrid” refers to a mix of CGI and live-action, which I guess is the official term now.

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Leatherface in The Texas Chainsaw Massacre

We all know Leatherface, the human flesh-masked villain of the Texas Chainsaw Massacre series, but do any of us really know him, like on a personal level? Maybe he had hopes and dreams and plans for his future before he started capturing unsuspecting tourists, impaling them on meat hooks and turning them into prize-winning chili. No judgment; maybe his aspirations and goals were actually to become the town’s most feared and respected cannibal chef — if so, he definitely succeeded. But a new film is finally going to reveal exactly what went on in the days before The Texas Chainsaw Massacre taught audiences a thing or two about the phrase “stranger danger.” Simply and effectively titled Leatherface, according to The Wrap this prequel is an origin story for one of the horror genre’s most iconic faces (covered in other faces, so many terrible faces) set in the 1970s. At this point, the plot details are being kept under wraps (again, like someone’s horrible face), so it’s unclear what Leatherface’s actual life before the whole “gruesome torture and murder phase” entailed, but it’s a safe bet that things weren’t all sunshine and roses.

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Kiss Kiss Bang Bang

Movies almost always start with a collection of words and thoughts crafted into narratives, yet cinema rarely revels in this beauty. Sure, now and then we’ll get a great bit of rapid-fire banter, or attractive people having long discussions as they journey through European cities, but rarely are there bouts of real word nerdery – moments when characters actually talk about wordcraft, delight in proper use of the word myriad, and correct each other’s language faux pas. Even films about writers and writing diverge from the actual act. A writer might type furiously on a typewriter, or quote a compelling author, but their stories are generally about something else. It’s the melodrama, scandal and eroticism the filmmaker always captures, not the craft. But when a film does dip into grammar and wordiness, the results are often the best mix of nerd indulgence and education – moments that speak to grammatical frustration while correcting common errors through the rush of entertainment. If Weird Al piqued your interest, you should check out this movies.

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The Frame Movie

A few years ago I was astonished by an indie trailer that showed up in my inbox like a doorstep orphan with cool visual effects. The movie was Ink from Jamin Winans, and it turned out to be a rough around the edges, modern fairytale with a fascinating palette (and, yes, cool visual effects). Winans has continued to impress with short films, but even though he had open channels into Hollywood after Ink, he decided to stick with financing projects on his own. Why? To retain final cut. And because he loves working 120-hour weeks. His style sometimes feels like a mainstream adventurer by way of Shane Carruth, but this trailer for his latest film, The Frame, looks like something David Fincher slashed together. Dark, percussive and angry, it shows off microseconds of intriguing shots without giving us the first idea of what the story is. A perfect teaser trailer. Absolutely thrilling and interest-tugging. But I don’t think Winans will even give a clear plot synopsis until after he’s released the movie. Presumably, a full trailer for the film will be just as enigmatic. Check out the trailer for The Frame:

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Sophie Turner in Game of Thrones

For anyone who tries to pull that whole “fake geek girl” load of crap, please point them in the direction of Mary Shelley. It’s really hard to argue that girls don’t have a place in horror or alternative culture when the person who created Frankenstein and his monster was a teenage girl. Now the story of the prolific author in her adolescence, the time when she wrote her masterpiece, will be chronicled in Mary Shelley’s Monster, with Game of Thrones’ Sophie Turner stepping into her shoes.

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The Leftovers

Hey, there. How are you? Are you okay? How is HBO’s The Leftovers treating you? It’s okay to be tender about it! You can even get mad! Any emotions are welcome here. Since it debuted in June, the latest HBO series has garnered responses that run the gamut. Some people love it. Some people hate it. Maybe some people are in the middle there, but who knows! Some people have already given up on it. Some people continue to plow through. Here at Film School Rejects, we’re into completionism, so yes, we’ve (really, though, I mean me) kept up our watching. It’s gotten better. Sort of. Now the series, pulled from Tom Perrotta‘s novel of the same name and created by Perrotta and showrunner Damon Lindelof, will have another chance to win over viewers — a whole new season, actually. HBO has announced that it will be bringing back their summertime series for another season. There’s no word on when the Sunday night show will debut said second season, but we’re willing to bet we might have another summer of sadness to look forward to in 2015. Putting this thing in the winter might be a bit too much to bear anyway.

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Johnny Depp in Mortdecai

Is Johnny Depp a movie star anymore? He is certainly famous, but he doesn’t have the box office clout he used to. The actor consistently does well internationally, but in the States, he hasn’t opened a major release in years, at least one that wasn’t already an established brand. Transcendence, The Lone Ranger, The Tourist, Dark Shadows and The Rum Diary all bombed here. Of course, the quality of those titles aren’t up there with his finer films, so that’s a slight hindrance. Maybe all Depp needs is simply a really good movie to win back moviegoers. Reuniting with writer/director David Koepp is a step in the right direction. The two collaborated on 2004′s Secret Window, which is an especially good Stephen King adaptation. It’s also one of the last times Depp pulled off playing an average joe. For some reason he couldn’t do the same in The Tourist and Transcendence. There’s something very off about those performances. Maybe he’s been playing so many larger-than-life characters lately that an everyman no longer comes naturally to him. Whatever the case, Mortdecai may be a return to form for the actor. Depp is once again playing a heightened character, but the difference this time is he looks genuinely funny as the oblivious art dealer Charles Mortdecai, a man in search of a stolen painting connected to a lost bank account full of Nazi gold. If you want to see Depp playing a “bit of a moron,” watch the teaser trailer for the film below.

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The Cove documentary

At last, an actual Aquaman movie is on the way. It’s well-known (if not official) that Jason Momoa is playing the sea-dwelling superhero in Justice League, likely appearing first in cameo form in Batman v Superman: Dawn of Justice. Via The Hollywood Reporter, now we also know that Warner Bros. and DC Entertainment are pushing a solo installment for Aquaman, with two screenwriters hired to separately churn out their take on the character with the hopes that one of them will be perfect. Those writers are Will Beall, who is really only known cinematically for Gangster Squad, and Kurt Johnstad, who worked with Justice League franchise mastermind Zack Snyder on 300 and its sequel, 300: Rise of an Empire, and also penned the script for Act of Valor. Neither sounds like an amazing prospect, but the competition could bring out the best in each of them. I would attempt to lend them some guidance — because I’m sure they’re both happily scouring the internet for not only the demands of fans but also the ideas of non-fans — but I won’t even pretend to have a clue about where the character and his storylines have gone in the 20 years or so since I avidly read his comics. And frankly, even though I was plenty into Aquaman as a marine-life-loving kid, I can’t recall a whole lot about his background or major conflicts anyway. I remember he got a harpoon hand and a beard and went shirtless in an effort to be gritty and hip, […]

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The Canal 01

Maybe you recall a time circa 2002 when you watched The Ring and learned that you should never, under any circumstances, watch an unmarked videotape or any sketchy footage that might concern murders or mysterious deaths that have occurred on or near your property. Clearly, the poor, sweet, misguided protagonist from Ivan Kavanagh‘s The Canal never learned this valuable advice. It could have saved him a lot of heartache and misery — and money for therapy. In the first trailer for the film, it’s apparent things aren’t going so well for David (Rupert Evans). He’s having a little trouble sleeping, if you count waking up completely upright in a cold sweat, fresh from a bout of night terrors as a minor problem. This is even before he heads to his job as a film archivist and learns, as one does, from footage unearthed from the turn of the 20th century, that his house was the site of a grisly murder. It all makes sense now, the nightmares, his steady and reliable descent into madness and the spooky ghosts that seem to be hanging out in the dark corners of the house. Why can’t things just be nice for once?

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Ed Harris in Appaloosa

HBO’s Westworld remake has been on a roll when it comes to casting, nailing down Anthony Hopkins, Evan Rachel Wood, Jeffrey Wright and James Marsden in the last few weeks. Take a lesson, everyone else in Hollywood: if you’re going to remake something that really has no business being remade, the least you can do for everyone is throw in a few actors that can make it palatable. The latest addition to J.J. Abrams and Jonathan Nolan‘s robo-cowboy epic is better than all those other schmucks combined (no offense, Sir Hopkins, but your role is almost 100% guaranteed to be non-robotic, so we’ve had to dock you a few coolness points). According to Deadline, HBO has snagged Ed Harris for a key role in the series (currently at just the pilot stage), as “The Man in Black.” Another actor was announced via The Wrap at the same time: Ptolemy Slocum, who had a recurring role on the HBO series Looking. But all we know is he will be playing a man named Sylvester. 

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