Year In Review: 11 Fantastic Movies That Failed To Find An Audience In 2011

Hundreds of movies are released each year in theaters or straight to DVD, and a large percentage of them suck. A much smaller group though are fantastic slices of cinema that thrill, excite, invigorate and entertain, and while some of them are recognized at the box office many more are left to die a quick and undeserved death.

And it’s essentially your fault.

Of course I don’t mean you specifically, but instead I’m referring to the average American movie-goer who chose not to see these movies in the theater. They ignored the critical acclaim, reviews and recommendations from sites like ours and instead bought multiple tickets for the latest Twilight or Transformers movie. So while it’s too late to affect their box office returns (most of them anyway), Jack Giroux and Rob Hunter have put together a list of eleven movies that deserved far better treatment in 2011.

30 Minutes or Less

Ruben Fleischer’s follow-up to Zombieland did okay, but it didn’t make the splash his feature film debut did. That’s a shame, since 30 Minutes or Less is funnier, quicker, and isn’t afraid to get a little mean at times. There’s not a lot of meat to the story, so Fleischer wisely keeps things moving fast and knows how not to overstay his welcome. The director gets comic pacing and high-volume energy, both of which that made 30 Minutes or Less a strong comedy. (Domestic BO total: $37 mil) – JG


Why people didn’t flock to this movie about a young man whose life begins to crumble when he’s diagnosed with life threatening cancer I’ll never know. Imagine an even funnier Terms of Endearment, and you’ll understand how good this movie is. Joseph Gordon-Levitt is endearing and inspiring in the lead role of Adam, and Seth Rogen even manages to entertain instead of annoy as the best friend along for the ride. Anna Kendrick shines too as Adam’s untested counselor who stumbles along the way. The film is sweet, funny and never shies away from the reality of Adam’s situation, and it has a great soundtrack! (Domestic BO total: $35 mil) – RH

The Adventures of Tintin

Steven Spielberg’s animated/motion-captured adventure has only been in theaters here for a couple weeks, but an opening of $16 million is pretty damn sad for the year’s best animated film. That would hardly even cover the cost of oil changes and tire rotations for the entire cast of Cars 2 (a movie whose tailpipe you and your kids sucked all the way to $191 mil). The film wisely eschews an origin story of any kind and instead jumps right into the intrepid young reporter’s life as he begins a new adventure involving lost treasure, ancient feuds and a unicorn. It’s a fun film for all ages, and features fantastic action scenes including a spectacular chase done in one unbroken camera shot. (Yeah, I know it’s animated. Shut up.) On the bright side the film is doing blockbuster business overseas (to the tune of $240 million), but that doesn’t excuse the lack of attention it’s received here. (Domestic BO as of 12/31/11: $40 mil) – RH

Attack the Block

I know what you’re thinking. How can this Hunter prick put Attack the Block on a list of over-hyped films one minute and a list of under-seen titles the next? Well it isn’t easy, I’ll tell you that much. Writer/director Joe Cornish’s retro romp was praised daily since SXSW as the second coming of Amblin Entertainment, but while that claim was more than a little excessive the movie is still damn entertaining. The creature design is very cool, the film is shot with style and energy, and it’s a refreshing change of pace from the sequels and remakes we’re used to. But with all that incessant hype how did it do so poorly? Why didn’t you listen?!? (Domestic BO total: $1 mil) – RH

Fright Night / The Thing

Fright Night / The Thing

Okay, neither of these come close to qualifying as “fantastic” movies, but they’re both pretty good. Yes, even The Thing remake is an okay little monster movie when you set aside your love of John Carpenter’s classic and your hatred of CGI and remakes. The point is there aren’t a lot of studio backed horror films anymore so when they put a somewhat good one out we need to support them. The flip side of this is that derivative crap should be ignored. But no, Americans chose to pass on these two and instead turn the cheap drivel of Paranormal Activity 3 into a $103 mil hit. Remember how the Saw series lasted seven goddamn installments? Your fault. And you’re doing it again. (Domestic BO total: $35 mil combined) – RH

The FSR Staff is an author similar to Hydra. Its articles have many authors. It has many heads. Please don't cut off any of its heads, we're trying to work here.

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