The 15 Best Miramax Films

10. sex,lies and videotape (1989)

The Pitch: Some of us can still remember when Steven Soderbergh was good at barely scripting his films and using minimalist camera work. This fantastic flick won the Palme d’Or back in 1989, and launched Soderbergh’s career in earnest. If you were looking for the film that really started the indie movement’s commercial success – look no further than a film about James Spader’s sexual dysfunction. -CA

9. My Left Foot (1989)

The Pitch: Only a few years ago, modern audiences were sort of re-introduced to the genius of Daniel Day-Lewis. If you’re looking for a way to delve deeper – check out his first Academy Award win in this stirring story of a young man who can only control his left foot. Here’s where I make a comment about Day-Lewis having more acting talent in his left foot than in most actor’s entire bodies. But I’ll refrain. -CA

8. Flirting With Disaster (1996)

The Pitch: Ben Stiller leads a fantastic cast in a comedy about identity and the concept of nature vs nurture. Director David O. Russell would go on to burn professional bridges with actors and studios alike while filming Three Kings and I Heart Huckabees, but for this one film he managed to keep his temper in check and the result is some stellar ensemble comedy. -RH

7. Pulp Fiction (1994)

The Pitch: Not only did it launch Quentin Tarantino even further into the cultural stage, it also relaunched John Travolta’s career. It also made a bunch of violent film fans finally memorize part of the bible. Oddly enough, Harvey Weinstein wanted Daniel Day-Lewis (who you’ll remember from the last entry) to play Vincent Vega instead of Travolta. Then again, stranger things have happened – Sid Haig was originally offered the role of Marcellus Wallace. -CA

6. Bob Roberts (1992)

The Pitch: Who knew Tim Robbins could be so politically aware? The freakishly tall actor wrote and directed this satirical faux documentary about an election, and he shines a smart and funny eye on shenanigans from both sides of the aisle. As true today as it was almost twenty years ago. -RH

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A veteran of writing about movies for nearly a decade, Scott Beggs has been the Managing Editor of Film School Rejects since 2009. Despite speculation, he is not actually Walter Mathau's grandson. See? He can't even spell his name right.

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