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Editor’s Note: We’ve asked a Jamaican to go to Canada to cover the movies of TIFF 2012. Andrew Robinson, whose work you can check out over at his blog, has obliged and will be filling us all in on the antics in the Great White North. Here’s his first missive.

Any day now I’ll be on a plane heading to Toronto for the very first time in order to attend a film festival for the very first time. I’ve been excited to attend the Toronto International Film Festival (affectionately known as TIFF) for the past three years, and now it’s finally happening.

Before we dive into this list, which honestly cannot do the festival’s amazing looking lineup any justice, I will give a couple caveats. It’s based on my confirmed schedule, and therefore two films which I’m genuinely excited for but will not be able to see (Rian Johnson’s Looper and Michael Haneke’s Amour) are not on it; it’s also in no sort of ordered preference.

So with that out of the way and with all the excitement being thrown around, let’s take a quick look at the films that I’m most excited for:

The Place Beyond the Pines

The Place Beyond the Pines

Director: Dereck Cianfrance

What more do I have to say other than “the guy who made Blue Valentine has something more to tell us”? It became clearly evident through interviews and the content of Blue Valentine that Cianfrance is a man who holds family in high regard, so when he takes a movie, makes it about a good guy doing something bad for the sake of his family (let’s ask ourselves how much we love Breaking Bad right now) and has Ryan Gosling at the center, it remains a pitch point.

Seven Psychopaths

Seven Psychopaths

Director: Martin McDonaugh

US Release: October 12, 2012

About six weeks ago, a friend who sees just about everything caught this at an early screening and dubbed it his “favorite film of the year.”

It’s the sophomore effort from Martin McDonaugh (the man behind In Bruges) which stars Colin Farrell, Tom Waits, Sam Rockwell and Christopher Walken, so what else do you need?

Watch the trailer

Like Someone in Love

Like Someone In Love

Director: Abbas Kiarostami

Here’s a name that up until last year I was completely unaware of. Thanks to many, much more knowledgeable critics making me aware of last year’s gem Certified Copy. Sadly I’ve yet to spend any time truly delving into the rest of his film backlog, but based on what I’ve heard he’s one of those filmmakers whose movies are defined by focusing on interesting people.

In his latest work, a young woman and an old man build a strange, intimate relationship in the span of twenty-four hours.

Watch the trailer

Pusher (2012)


Director: Luis Prieto

One of Nicolas Winding Refn‘s earliest projects was a Danish drug trilogy called Pusher, and this is the English language remake for which he is signed on as an Executive Producer.

The movie stars Richard Coyle, an excellent British actor who doesn’t seem to get that many feature roles, and focuses on a drug dealer in crisis.

Watch the trailer

At Any Price

At Any Price

Director: Ramin Bahrani

Bahrani is a filmmaker who makes what I like to call, with zero degradation meant, “small” films. His movies Man Push Cart, Chop Shop and Goodbye Solo are all movies which take their time focusing on the microcosm of what might be considered an uninteresting life, and reminds us that there is always a story to be told within the mundane.

This time around he seems to have a much higher-profile cast (led by Zac Efron) and much bigger narrative goal set so it feels like I’m going into this movie looking for a new filmmaker rather than wondering how he’ll change to suit this different kind of movie. Regardless, it’s about trusting the man at the helm and believing that he will see me through to the end with the appropriate (and retroactively appreciated) cuts and bruises.

The Iceman

The Iceman

Director: Ariel Vromen

Michael Shannon is either the next big thing or the big thing that everyone should already know by heart but doesn’t for some reason. Sometimes I wonder which movie gods he needs to pray to in order to make people hear his name and immediately know the on-screen force people are talking about.

While I can admit to having minor doubts in the overall film’s ability to be as amazing as it sounds, at this point I’m riding on the high of being able to see a Michael Shannon film where he’s an assassin with an amazing-looking 70s mustache.

See it for yourself

Read on!

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