The indelible charm that Pixar’s movies possess has never been stronger than it was with this simple human story. Few films ever capture the life of one person so eloquently, and few films ever great such a vast, high-flying adventure. With up, directors Pete Docter and Bob Peterson have accomplished both. And if you’ve seen it, you understand their accomplishment, because you’ve lived through not only the laughs, but plenty of tears as well.
For the first 20-minutes of this film, I thought I was watching another revision of the This is Spinal! tap formula. But I wasn’t — I was watching the true story of a pair of 50-something heavy metal rockers from Canada, still trying desperately to live their dream. Theirs is a sad story, but one of hope — hope because we should all aspire to follow our dreams with such unwavering fervor. Because in the end we can’t all be rock stars, but that shouldn’t stop us from trying.
8. Star Trek
From the opening battle scene that pounded away at the audience to the epic scale of the USS Enterprise, first seen docked in space awaiting its maiden voyage, J.J. Abrams’ Trek is a beautiful renewal of an immensely popular franchise. But what it accomplished was much more than fan-service, it was a rebirth. We now have a Star Trek franchise that is more than just a thinking man’s science fiction series, but an exciting big-budget action franchise that will thrill audiences with giant space battles. And for those among us in the nerd corps, we couldn’t be more tickled by its success and reverence.
Quentin Tarantino promised a great movie, and delivered just in time. A brutal, and brutally hilarious take on the second World War, Basterds is a pitch-perfect and not-so-accurate tale of Nazi hunting in France. It is also, without a doubt, the year’s most vibrant, episodic period piece. And like Chris Nolan did with The Dark Knight in ’08, Tarantino creates the ultimate good vs. evil — two giants of idealism and valor (Brad Pitt and Christoph Waltz) engaging in the ultimate bullet-riddled game of chess. It is the best of Tarantino, in every possible way.
If there’s one thing we know about James Cameron, it is that his movies are always significant. And through all of the talk about Avatar — the hype, the expectation and the inevitable blow-back — we knew that going in. Coming out, I couldn’t help but be in awe of the immense technical achievement. In the way the he won with Titanic, rooting a solid love story inside a gigantic visual feast, Cameron has delivered a movie that could be the game changer it claimed to be. History will tell that story. The story that we know now is that he’s given us a new look into the realm of what is possible in the next century of cinema.
5. Mystery Team
2009 might ultimately be the year known for breakout filmmaking performances. But while solo directors were cutting their teeth with groundbreaking sci-fi, the Derrick Comedy group delivered a pitch-black comedy about the arrested development (and obliviousness) of youth. It was one of the most clever, refreshing and deviously raunchy comedies of the year. A tough sell for mainstream audiences, but a sensational debut with serious cult following potential. Mark my words, you will remember the day you met the Mystery Team.
Perhaps the most intense action experience seen in theaters in many, many years, this Kathryn Bigelow directed actioner gave us an all-too-intimate peek into the world of an Army bomb squad in Baghdad. It also showed us that unfound talents like Jeremy Renner and Anthony Mackie could light the big screen on fire, and rivet us to our seats for over two hours. It’s the odds-on critical favorite of the year. And for once, all of those stuffy, crotchety critics are right. The Hurt Locker is pure intensity, committed to celluloid.
Here comes the part of the list where I get some strange looks from the readership. Perhaps because I, like so many who saw this movie, am in love with it to the break of dawn. The insanity and balls-out performance of Nicolas Cage, combined with the oft-muzzy storytelling of Werner Herzog and an intense dedication to chaos on the Bayou make for one helluva good time. An edgy noir, but one with a devious streak fueled by its drug-amplified central character. Beware, the birth of a new Bad Lieutenant franchise could be upon us (hopefully).
Going into this stop-motion animated film from Wes Anderson, I was skeptical. But after 2-3 viewings, I can’t help but be charmed by the attention to detail and the simple, upbeat nature of this tale. The celebrity voices, the Anderson-esque quirks and the odd Willem Dafoe-voiced rat with the French twang all work perfectly where no-one expected them to work. What Anderson has done is delivered his most restrained, but lively effort. And with every additional viewing, I find more to love. That’s a quality that isn’t easy to achieve — it’s almost magical.
1. District 9
No movie surprised us quite like this well-marketed little science fiction epic from director Neill Blomkamp. We can thank our sci-fi loving stars that Peter Jackson found this guy, then found $30 million dollars for him to shoot this alien adventure guerrilla-style. It was a civil rights allegory that told the story of apartheid better than more focused tales, and delivered alien adventure that rivaled that of the master who also delivered his alien story this year. There were a lot of secrets in District 9, but what we found most of all was that under the surface, this was a high-concept, low-fi masterpiece of epic, near-perfect proportions.
So there you have it. My ten best films of the year. For reference, here are links to my previous year lists: