8 Reasons to Become a Fan of Richard Ayoade

Moss IT Crowd

Talkback Thames

Today is Richard Ayoade’s birthday. You might know him as the random British inclusion in The Watch, the filmmaker behind the Jesse Eisenberg doppelganger movie, The Double, and of course, he’s Moss from The IT Crowd — a character that Christopher Campbell once dressed up as for Halloween.

He’s also a great serving of comedic joy.

Ayoade wouldn’t agree. He self-deprecatingly says he’s “just terrible. At talking. With words.” But if Ayoade is not, by his estimation, an actor, he is certainly a man who can banter brilliantly and absurdly in ways that make every manner of words seem natural. Even better: he has his own much-needed spin on nostalgia, one that replicates old styles rather than old toys, and relishes in the remnants of real life rather than computer-crafted graphics, as these 8 examples reveal.

The IT Crowd

Ayoade broke into North American consciousness when he co-starred with Chris O’Dowd and Katherine Parkinson in The IT Crowd, the British antidote to The Big Bang Theory. He plays Moss, the typical super-smart uber-geek who contains all the usual staples from style a la mom, to a severe lack of social skills and yen for boardgaming. But, for all of his endearing obliviousness, Moss could be downright cunning if he so desired (especially when the black box that holds the Internet is involved), and downright dangerous when he desires a seat at the park.

His Moss was so utterly particular that when the show was remade for U.S. audiences, they didn’t bother to find a replacement, they hired Ayoade. The show, however, was a mess of repetition and extra slapstick, and was quickly killed after the pilot episode.



Submarine Movie

The Weinstein Company

In Ayoade’s directorial debut, he adapts Joe Dunthorne’s “Submarine,” a coming-of-age story about an awkward teen’s first love and his transparent attempts to fix his parents’ struggling relationship. It’s a love story that is, at once, familiar and idiosyncratic as young Oliver Tate enters the world of romance. This isn’t a tale of stolen glances and pop culture banter, but of embracing strangeness, encapsulated when Tate tells his Jordana: “I thought it would be nice to get some mutual interests … now that we’ve had sex … other than spitting and setting things on fire.”

It’s fascinating to watch the many ways Ayoade’s nostalgia can manifest. In Submarine, it’s a mixture of ‘80s New Age tackiness, pre-smart phone communication, and Super 8 whimsy that meshes into a fun and cohesive whole.


AD/BC: A Rock Opera

In one of Ayoade’s first parodies, he and The IT Crowd’s Matt Berry collaboratively turned their sights toward 1970s rock operas about Jesus. Sadly, AD/BC isn’t a full musical, but it’s still worthy in all of its comic brevity on a tiny soundstage. It’s also, I’d dare say, more fun than the current religion-themed mega-hit, The Book of Mormon.


The Mighty Boosh

Considering the rock opera, it’s no surprise that Ayoade would collaborate as actor, writer and script editor on a show that sees two Brits cracking into spells, talking to apes, and sharing a flat with a carpet-riding shaman – while occasionally breaking out into song.

Ayoade plays Saboo, a member of the Board of Shaman, occasional DJ, and cohort of the bodiless alien Tony Harrison. Saboo’s generally the self-proclaimed “pretty good” (not awesome) square, if there is such in this absurd world, ranting about “the crunch” and trying to teach Naboo lessons time and time again. Unfortunately, however, he thinks Fleetwood Mac “are bullshit munchers.”

Monika Bartyzel is the writer and creator of Girls on Film, a weekly look at femme-centric film news and concerns at The Week. She can recite "Heathers" from beginning to end; she is thankful that "Brain Candy" introduced her to Cibo Matto; she will never feel that she’s given enough praise to "Melancholia" and "Stories We Tell;" and she dreams of a job that would pay her to host movie-themed dinner parties.

Read More from Monika Bartyzel
Get Film School Rejects in your email. All the cool kids are doing it:
Previous Article
Next Article
Reject Nation
Leave a comment
Comment Policy: No hate speech allowed. If you must argue, please debate intelligently. Comments containing selected keywords or outbound links will be put into moderation to help prevent spam. Film School Rejects reserves the right to delete comments and ban anyone who doesn't follow the rules. We also reserve the right to modify any curse words in your comments and make you look like an idiot. Thank You!