IntroBehindScenes

It seems very rare that a behind-the-scenes documentary will earnestly try to show how the movie is made over trying to sensationalize the process. After all, who exactly is the demographic watching these things? Is it people who are genuinely interested in learning the techniques, or is it casual fans of a particular movie peeking behind the curtain?

A good documentary caters to both – but above all should be honest in how the film was made.

I’d like to explore some of the most earnest examples that I’ve come across. Either as stand alone films or DVD extras – these are documentaries that show, for better or for worse, the good and the bad aspects of the movie making process. This is stuff that no film goon should miss.

The Artistic Process

8. The Good: The Making of the Shining

TheMakingOfShining

Probably the most surreal behind-the-scenes look of any film, the reason why being how surprisingly in-depth it is for a film made before DVDs and special features. This is most likely because the lady behind the camera is none other than Vivian Kubrick, Stanley Kubrick’s daughter and someone you can’t just tell to screw off.

This is why we get to see Jack Nicholson casually brushing his teeth before taking a whiz in his dressing room, only to then light a smoke and walk blithely down stairs to chop a door down. It makes you wonder if they knew at the time just how big of a deal the film was going to be. It’s amazing to watch as Nicholson performs iconic scene after iconic scene, only to hear Kubrick indifferently call to check the gate and move on.

And that’s how it goes, all the talent and money centered on Stanley Kubrick – who sternly and quite literally calls all the shots as he adapts the classic horror book the way he feels like adapting it. We get to watch as he constantly re-writes on set, pushing his actors to be exactly what he wants them to be, even to the point of pushing them right over the edge – as we learn from Shelley Duvall, who becomes physically and mentally ill from the role.

7. The Bad: Our World, Their War – Transformers Special Edition

BayTransformers

I’m not going to sit here all high and mighty and act like I didn’t love watching Transformers. Nor am I going to pretend like I don’t enjoy Michael Bay’s work. It’s great fun – however in terms of artistic integrity this film is not, as we’ve heard a million times, exactly Citizen Kane. But as the DVD extras of this film show – that’s no surprise to them.

Right from the start we get to hear Hasbro executives talking about making a movie that they can sell toys with – even working directly with Bay to design the characters to work specifically as products. That’s the whole damn point, right? We watch as Bay smiles while talking about the death threats he got from fans for screwing around with their childhood characters, how he made Optimus Prime mostly blue because “red doesn’t photograph well” and he clearly doesn’t care to try.

At one point before a giant bus stunt, while going over safety and procedure he just walks away exclaiming, “Fuck this, let’s go.” Because that’s the kind of guy he is. That’s why at one point they actually accidentally fling a car into the side of a building – because whatever. Let’s make an action movie and get paid.

In the end, there’s no denying the fun of it – even if it’s really just a 2-hour-long commercial for toys and cars with Bay at the center. In a weird way – he’s doing exactly what he should be.

Low-Budget Filmmaking

6. The Bad: American Movie

AmericanMovie

Whenever you hear the story of how some indie film got made, there’s inevitably a point in which the filmmaker had to take that big leap of faith. Kevin Smith maxed out credit cards, Robert Rodriguez sold his body to science – all in the trust that what they were doing was important. That they would make their film, and it would be go places.

American Movie showed us the depressingly hilarious flip side of that. It showed us that our passions are in fact capable of betraying us just as effectively as they can reward. It showed every aspiring filmmaker what exactly is at risk.

But you certainly can’t deny filmmaker Mark Borchardt’s passion any more than you can deny his alcoholism or impractical thinking. Still, that passion does go a long way, and you simply have to root for him as he struggles to make his terrible, terrible film. That’s why it’s nice to know that while the infamous Coven did not pan out like he hoped, he’s at least still making movie appearances to this day.

In fact – Borchardt has even gotten back on that directing horse with what looks to be his first feature length film, Scare Me, due to be out this year. I, for one, can’t wait.

5. The Good: Robert Rodriguez’s 10-Minute Film School

Continuing on the subject – independent filmmaking never fails to make the passion going into a project 100 times more visible due to the high quantities of blood and sweat put into it. You have to work creatively around your budget – and Robert Rodriguez figured out how to do exactly that. Now he wants us to do it as well – and shows us how with his little 10-Minute Film School bits on every movie DVD.

What’s great about it is how practical he makes the information, even when he is talking about a big budget film like Spy Kids or Sin City. He talks about how to backlight a shot so the CGI doesn’t have to be so well-defined later or how to use a location sparingly by shooting your establishing shots at a very high budget location and containing the rest elsewhere. The guy still thinks like an indie director despite working with big budget actors.

The best has to be El Mariachi’s lesson – where Rodriguez simply shows his raw footage, revealing just how deceptive his shooting style was as he edits in-camera to cheat the complications of an action sequence. Fingers as his slates, actors as his crew – he shows exactly what it means to make a high quality film at piss-poor prices.


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