Denis Leary in The Amazing Spider-Man

Pick up the Pace

The previous mentioned subplot is a part of the film’s biggest problem: a meandering structure. With screenwriters Steve Kloves, James Vanderbilt, and Alvin Sargent involved, it was jarring to see The Amazing Spider-Man frequently wander from scene to scene, sometimes without any momentum to speak of. Taking your time with drama and the origin story is admirable, but not giving it a proper flow is not.

Don’t Kill Gwen Stacy Just Yet

This suggestion obviously contradicts the vulnerability complaint, but, seriously, why kill off your lucky charm so early? While Peter Parker keeps walking around moaning about his good looks and super powers, we need someone unafraid and willing to crack a smile in this world, and not much can touch the charm of an Emma Stone smile.

Speaking of Gwen Stacy, Make Her a Human Being 

Stacy is in love with Peter from scene one, and perhaps the biggest question mark in the film remains: Why would she love this guy? He’s a mopey and awkward kid who, again, takes pictures of her without her knowing. It’s a purely tweeny, unserious love without much conflict. There is no drama between the two of them, it’s all gooey and dream-like.

When drama is introduced by Captain Stacy asking Peter to stay away from her, two minutes later Peter, in a rather dick move, says, “To the hell with that dead, smarter, wiser old guy I made a promise to!” and gets back to his teenage romance.


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