Someone Peter Knows Turns Evil? What a Convenient Shock!
Even for pure storytelling reasons, having Parker face off against a villain he does not know would raise the stakes. They have no connection or a previous relationship Peter could rely on to hopefully change their mind or appeal to their kinder, friendlier nature. Embrace having pure evil. The Green Goblin and Doctor Octupus were fantastic, but this iconic part of the Spider-Man comics has already grown tired in film form. How many people in Peter’s address book can turn evil?
The idea of an unknown villain makes for a smoother narrative, having the freedom not to deal with a buildup of a character taking a turn for the worst. Sometimes simple, broad villainous strokes are a good thing. They tried to add shades of grey to Doctor Connors, but it only muddled up the character and the film.
Also, for the love of God, give your villain a better plan than “Let’s turn the city into lizards!”
Don’t Have a Talking Lizard As Your Villain
Does that headline even require an explanation?
That Dangling Untold Story? Who Cares?
With the running time clocking in at two hours and seventeen minutes, The Amazing Spider-Man could have used a serious edit, either in the writing or editing booth. Apparently I’m not the only one who thinks that, as a major element was cut out: the answer to that untold story regarding Peter’s parents. What was left open to answer in the “trilogy” should just be exercised all together.
Whenever the film began to slow down, it usually involved Peter pining over this question. Do we really want to see our hero keep living in the past for three films? By the end of the movie Peter’s coming-of-age is well-rounded and he’s found a calling, but that post-credits sequence slaps that arc in the face with a head-scratching sequel flag. How powerful would it have been if Peter proclaimed he knows who he is by the end without having an answer for his parents’ disappearance?