Ever wonder why people usually don’t wear elaborate costumes in real life when they are out killing teenagers or robbing banks? Chances are it’s because the whole damn point of wearing a disguise is to draw attention away from your face.
Of course that would be no fun in movies. No one wants to see a crime committed by someone wearing an off color ski mask – so costume designers tend to get a little… creative, and sometimes the result can be downright horrifying.
10. The Presidents in Point Break
It’s nice to see democrats and republicans working toward a common goal like this. These days it would take them weeks just to decide to tie up the security guards, and by then all the hostages would have become jaded and without faith in the process.
The creepiest part here is the cold, frozen smiles on their lifeless faces juxtaposed by sunken in and animated eyes. LBJ is the only one that actually looks like he’s robbing a bank with his more stoic artificial expression. All in all I think it’s Carter’s monster grill that wins the scary prize here. Carter doesn’t even need a gun to make people do what he says.
Someone should make a sequel where a bunch of dudes rob a bank dressed as ex-presidents and the reveal is that they actually are the real ex-presidents under the masks and just really needed the money. Perhaps they can have fun with it and wear each other’s masks as opposed to their own. Kathryn Bigelow could come back to direct. OK maybe they shouldn’t make that.
9. Johnny Clay’s Clown Mask in The Killing
Of course any and all clown masks are scary to look at, but there are some that stand out more than others (see number 6). In this case it’s really the fact that the mask’s jaw seems to move a little too realistically as Johnny speaks. It’s not perfect or anything, but it’s enough to induce nightmares. The shotgun probably helps too, as well as his weird striped undershirt. Honestly that undershirt might be the worst part.
This film is a great reminder that Stanley Kubrick was both really great and really old. Made in 1956, it was considered his first full-length and professionally made feature film. It certainly has to be one of the best “crime doesn’t pay” films out there, and was apparently one of the inspirations for Tarantino’s Reservoir Dogs.
I gotta say – if I had a genie, wish number one would be for Art Gilmore to be constantly narrating everything I ever do in the style of this film. “At exactly 2:35 on that Wednesday afternoon in the second to last week of October, David Bell was deciding that it was best not to put on his pants until he absolutely needed to. He had timed his lunch-making on half a dozen different occasions and he knew at just what point his toaster waffles would be done at precisely what time.”
8. The Robotic Lady Head in Total Recall
So much of my childhood was spent fearing that plump older women were going to tear their own heads off and reveal Arnold Schwarzenegger – by age ten I’d get panic attacks at the very mention of going to JCPenney or getting some frozen yogurt.
Of course that’s kind of what happens when you get Rob Bottin to do your effects – he is, after all, the guy who is directly responsible for the nightmare-inducing creatures in The Thing. There’s also the lizards in Fear and Loathing in Las Vegas, the horrific death in Se7en, the creature effects in The Howling, and – oh yeah, RoboCop for some reason. The point is that you have a lot of reasons to both thank and attack Rob Bottin.
In the recent Recall remake that no one asked for they actually do a great little nod to this original scene, and to this particular disguise. It had to be done of course, just like all the other little moments in the new film that call back to the original. That said, while the remake was enjoyable, all the little tributes just made me want to go watch the original film instead.
7. Old Scary Nuns in The Town
Because it’s not enough that you should get the money and safely outrun the police, you should also traumatize as many children as you possibly can in the process. Nuns are like, way way worse than those skull masks from the first robbery too. And why do they all look like Leslie Nielsen? There’s just so many reasons why these masks should never be on the market.
You can really tell from watching these scenes that Affleck wanted them to be iconic – both unique to the film but also clearly playing off what worked so great in previous heist films. It’s clever enough, as realistic as it needs to be, definitely cool to watch, and most important – it’s extremely well made. There’s a story here that is worth giving a shit about.
My only critique is that, as someone from Massachusetts, there’s only so much establishing shots of Boston I can take. This film seemed to think that the audience would forget where it took place, and felt the need to remind us every ten minutes with either some big sweeping shot or a conveniently placed Red Sox logo. Then again, that’s kind of how it is in Boston so you can’t fault him for realism.
Hey, speaking of traumatizing kids…
6. Bank Robber Clowns in The Dark Knight
This is probably one of the best character introductions of any film. Maybe it was just the hype surrounding the film – but that first shot of The Joker standing on the street holding his mask seems like it could go right on the wall next to Rocky standing on steps of the Philadelphia Museum of Art and Indiana Jones running from a giant boulder.
The masks, which were designed by costume designer Lindy Hemming, were designed with the back story that at some point The Joker fell into an old shipment of plain white masks and had simply painted them to look like clowns. All of them had to be original designs because it turns out that clown faces are actually copyrighted for some reason.
As for the specific mask of the Joker himself – there are rumors out there that it was based directly off of a mask the character once wore in the old 1966 Batman TV show. Looking at the side-by-side comparison, it certainly seems to be the case.
Links provided by Zergnet, which sounds like a villain but is really quite helpful.
Comment Policy: No hate speech allowed. If you must argue, please debate intelligently. Comments containing selected keywords or outbound links will be put into moderation to help prevent spam. Film School Rejects reserves the right to delete comments and ban anyone who doesn't follow the rules. We also reserve the right to modify any curse words in your comments and make you look like an idiot. Thank You!
Some movie websites serve the consumer. Some serve the industry. At Film School Rejects, we serve at the pleasure of the connoisseur. We provide the best reviews, interviews and features to millions of dedicated movie fans who know what they love and love what they know. Because we, like you, simply love the art of the moving picture.