Year in Review

2013review_culture

When Roger Ebert passed away in April of this year, one quote that made significant rounds was his assertion that, “I believe empathy is the most essential quality of civilization.” It would be easy to extract this quote as a solitary, general observation on the value of empathy, bereft of its cinematically specific context. Some liked to see Ebert’s overt progressive politics as separate from his evaluation of films, but in fact the two were inextricably linked. The source of this quote, in fact, came from Ebert’s overview of Cannes in 2010, in which he discussed what a diverse array of art films like Lee-Chang Dong’s Poetry and Mike Leigh’s Another Year collectively offered despite their evident differences. The full quote reads as follows: These aren’t all masterpieces, although some are, but they’re all Real Movies. None follows a familiar story arc. All involve intense involvement with their characters. All do something that is perhaps the most important thing a movie can do: They take us outside our personal box of time and space, and invite us to empathize with those of other times, places, races, creeds, classes and prospects. I believe empathy is the most essential quality of civilization. If empathy is the most essential quality of a civilization, as Ebert makes the case for, then movies which invite the viewer to have an empathetic experience become far more than “just movies,” but “Real Movies” – that is, devices that shape a compassionate worldview which acknowledges the unique experience […]

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2013.moviedoppelgangers

Every year, there seem to be unintended themes emerging from movie releases. It’s almost as if the studios called each other to coordinate projects like friends in high school planning to wear matching outfits on a Friday. Sometimes this effect is unintentional, like when an emerging movie star manages to have multiple films comes out the same year (see Melissa McCarthy below); other times, it’s a result of executives switching studios and developing similar projects (like the infamous Disney and DreamWorks 1998 double-header grudge match of A Bug’s Life vs. Antz and Armageddon vs. Deep Impact). This year is no different, producing a slew of movie doppelgangers. For the sake of creativity, I left the painfully obvious off. Still, who can forget offerings like Olympus Has Fallen up against White House Down as well as This Is the End paired with The World’s End? And, if you really hate yourself, you can watch a terrible trippleganger of A Haunted House, Scary Movie 5 and 30 Nights of Paranormal Activity with the Devil Inside the Girl with the Dragon Tattoo. Whether it’s similar themes, the same actor in noticeably similar roles, or parallel stand-out moments in two films, this list of 13 movie pairings can provide a nice selection of companion pieces for your viewing pleasure.

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