Podcast

Are you ready for a revolution in film criticism? Fat Guys at the Movies, hosted by Kevin Carr and Neil Miller, is the break that your movie-going senses have been yearning for. Sick of all the snobby critics bashing Will Ferrell? We’re here for you…

Enlisted show

This post is in partnership with Cadillac Cadillac and the Producers Guild of America recently launched Make Your Mark, a short film competition that challenges producers to create compelling content with limited resources. Contestants will make a short film over a single weekend in late June, and the 30-second Cadillac spot featuring the grand prize winner’s film will air during the 2015 Academy Awards. As such we’ll be speaking with last year’s winner Jason Shulz, who offers his experience and some helpful lessons for those filmmakers who want to hoist the trophy for themselves this year. Plus, in a segment that tears us apart, Geoff and I will chat about the pure, accidental brilliance of The Room and what it’s like to watch an unintentionally terrible movie while sitting next to its director. Last, but definitely not least, we’ll talk to Enlisted creator Kevin Biegel about why he’s fighting so hard to promote a show that’s already been cancelled. He’ll also offer some keen advice about breaking into TV writing that you won’t want to miss. You should follow Kevin Biegel (@kbiegel), the show (@brokenprojector), Geoff (@drgmlatulippe) and Scott (@scottmbeggs) on Twitter for more on a daily basis. Please review us on iTunes Download Episode #62 Directly Or subscribe Through iTunes

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The Avengers

Last year around this time we were growing tired of the summer blockbuster bloat, so we took a break by looking ahead to the future that’s now the present. We’re feeling a bit winded yet again by all the city-stomping, stadium-lifting largeness, so it’s time to take refuge once again in the eternal potential of amazing movies that we can’t see for another year. Yes, the summer blockbusters of 2015. Fortunately, old robot Arnold Schwarzenegger and Hulk are here to guide us. Plus, we’ll discuss the concept of raising stakes in screenwriting by examining some movies that do it well, and we’ll praise Tom Cruise’s decades-long excellent for no other reason than to praise him. Follow the show (@brokenprojector), Geoff (@drgmlatulippe) and Scott (@scottmbeggs) on Twitter for more on a daily basis. Please review us on iTunes Download Episode #61 Directly Or subscribe Through iTunes

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Return to Horror High Clooney

This week, Cargill and I go outside the Actor’s Studio to examine the early horror films of one Mr. George Clooney, or as you may now know him: God-King of Hollywood. Back in the glory days, the all-or-nothing days, before bestriding the narrow world like a colossus, Clooney was a struggling actor same as countless others, forced to take roles in b-horror outings in order to pay the rent. However, these horror films each had something special and of surprisingly quality to offer. Most interesting of the bunch is the never-released Grizzly II, on which Cargill and I go into startling detail. We also announce our July 4th appearance at CONvergence in Minneapolis! Can’t venture to America’s Hoth that weekend? No problem! We’ll be recording an episode during the CON and will make it available to you, our beloved Junkies, directly thereafter. You should follow Brian (@Briguysalisbury), Cargill (@Massawyrm), and the show (@Junkfoodcinema). Download Episode #14 Directly

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Trust Me Clark Gregg

Clark Gregg recently wrote, directed and starred in an indie called Trust Me, and instead of asking one question about it before moving on to nine questions about Marvel movies, we took the opportunity to dig deep into what’s clearly a very personal work. In the movie he plays a former child actor turned child actor agent (have fun, Psych majors) who discovers an amazingly gifted young actress who might join a major franchise and bring him the success he’s always dreamed of. Spoiler alert: Loki never shows up. Plus, Geoff and I answer your screenwriting questions and then discuss some bizarre real-life things that would make amazing movies. Follow the show (@brokenprojector), Geoff (@drgmlatulippe) and Scott (@scottmbeggs) on Twitter for more on a daily basis. Please review us on iTunes Download Episode #60 Directly Or subscribe Through iTunes

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Krull Movie

For this week’s episode, Cargill and I explore the wonderful world of 1983’s Krull. We examine the movie’s glorious genre pastiche and undeniably rich character development, as well as spinning our own perspective on “the glaive problem.” We also explain how the structure and spirit of Krull makes it the perfect cinematic appetizer to James Gunn’s Guardians of the Galaxy. Oh, and I may or may not analyze the startling accuracy of the Krull Atari game…spoiler alert, I totally do that. You should follow Brian (@Briguysalisbury), Cargill (@Massawyrm), and the show (@Junkfoodcinema). Download Episode #13 Directly

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X-Men: Days of Future Past Time Travel

What if you could go back in time and set your favorite shark-jumping movie franchise back on the right course? Which would you choose? How would you do it? Would it require Hugh Jackman getting naked and standing in front of a window? We tackle all of these questions on this week’s show as we try to right some cinematic wrongs, review X-Men: Days of Future Past in depth and dissect a famous scene from Back to the Future (see below) to figure out why it works so damned well. We’ve got time travel and changing history on our minds, so let us use our mutant powers on your ear drums so we can all head back to the 1970s. You might feel a pinch. Follow the show (@brokenprojector), Geoff (@drgmlatulippe) and Scott (@scottmbeggs) on Twitter for more on a daily basis. Please review us on iTunes Download Episode #59 Directly Or subscribe Through iTunes

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Flash Gordon

On this week’s episode, in honor of the upcoming X-Men flick, Cargill and I mount our own exploration into alternate timelines as part of a new recurring series we’ve dubbed Movies of Future Past. For the inaugural foray, we imagine a universe in which George Lucas had actually acquired the rights to Flash Gordon and made that his 1977 sci-fi opus instead of Star Wars. It’s one of cinema’s most intriguing What If’s. Heck, as it stands, Lucas’ fascination with the Flash Gordon serials of the ’30s actually ended up informing so much of what Star Wars became. But that’s in this dimension, where history books have facts and whatnot. It’s far more entertaining to travel to other timelines where we’re confined only to the limits of our wild speculations!!! You should follow Brian (@Briguysalisbury), Cargill (@Massawyrm), and the show (@Junkfoodcinema). Download Episode #12 Directly

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Godzilla 2014

In our shortest episode of the year, I take a minute to dissect the way gigantic things are being portrayed on screen and to consider how Godzilla is like the most recent doomsday climate change report. Plus, Jack interviews the legendary Bill Paxton who plays a pitching coach in Million Dollar Arm. They get philosophical about acting just above a whisper and going calmly over the top. Fortunately, the lurking Predator decides not to attack them in the process. You should follow Jack (@jackgi), the show (@brokenprojector), Geoff (@drgmlatulippe) and Scott (@scottmbeggs) on Twitter for more on a daily basis. Please review us on iTunes Download Episode #58 Directly Or subscribe Through iTunes

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Labyrinth Movie

Come along and ride on a different kind of fantastic voyage. This week, in honor of the release of Cargill’s second novel, “Queen of the Dark Things,” we discuss our favorite cinematic examples of urban fantasy. Whether in the form of dueling immortals, vengeance-seeking grunge rockers, or the full arsenal of Jim Henson‘s creative genius, these clashes of fantasy and reality capture our imagination in so many ways and served as the inspiration for Cargill’s new book. We also spend FAR too much time talking about Gone Fishin’. You’re welcome, world. You should follow Brian (@Briguysalisbury), Cargill (@Massawyrm), and the show (@Junkfoodcinema). Download Episode #11 Directly

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Don Peyote

As it turns out, it’s completely possible to spend the warmest months without seeing a single superhero or explosion, and on this week’s show, Geoff and I proclaim our excitement for the indie/non-blockbuster pics that might provide greatness this season. We’ll also talk about our all-time favorite screenplays to read. Plus, Paracinema writer Matthew Monagle is our first participant in a segment called You Have a Year and a Half to Make Us Excited About Star Wars: Episode VII. Let’s see if he persuades you. Double plus, we’ll chat with Dan Fogler about 2012 conspiracies and getting beaten up by Anne Hathaway for the trippy Don Peyote. You should follow Matthew (@labsplice), the show (@brokenprojector), Geoff (@drgmlatulippe) and Scott (@scottmbeggs) on Twitter for more on a daily basis. Please review us on iTunes Download Episode #57 Directly Or subscribe Through iTunes

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Bob Hoskins in The Long Good Friday

Last week, the film world lost a giant. Often called The Cockney Cagney, Bob Hoskins was an actor who didn’t just demand your attention on screen, he grabbed you by the throat, turned you upside down, and shook you until you could only applaud. Cargill and I do our best to adequately honor this towering talent via some of our favorites of his performances. Sure, Who Framed Roger Rabbit and Hook are tremendous films, but we stick to the deep track stuff. We also explain why Hoskins would have made the perfect Wolverine. And yes, there will be discussion of Super Mario Brothers that borders on tribute. You’ve been warned. You should follow Brian (@Briguysalisbury), Cargill (@Massawyrm), and the show (@Junkfoodcinema). Download Episode #10 Directly

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Storm in Days of Future Past

More genres, more stories, more women. This week we welcome on Screen Rant‘s Ben Kendrick for an omnibus discussion of the amazing, as-yet-unrealized potential for superhero movies. At what point will audiences get bored with the same rehashed stories? At what point will one superhero movie lose big to another superhero movie in a crowded summer? At what point will studios develop the guts to take real risks? The future may be sooner than we think. Plus, Geoff challenges me to a round of Interrogation Reviewification for The Amazing Spider-Man 2, asking perhaps the most difficult question this series has ever heard. You should follow Ben (@benkendrick), the show (@brokenprojector), Geoff (@drgmlatulippe) and Scott (@scottmbeggs) on Twitter for more on a daily basis. Please review us on iTunes Download Episode #56 Directly Or subscribe Through iTunes

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Man on Fire Movie

It was inevitable. We had been getting along too well. But here finally in our ninth episode of Junkfood Cinema, a line in the sand has been drawn. Cargill and I engage in a comparative examination of both versions of Man on Fire. That’s right, Tony Scott‘s gritty revenge vehicle for Denzel Washington was in fact a remake. But whereas I fancy the original with Scott Glenn in the Creasy role, Cargill is more partial to the remake. Truth be told, this wasn’t much of a shootout. We both have elements of each iteration of Man on Fire that we adore, but that doesn’t stop us from taking these two versions apart piece by piece. PIECE BY PIECE! Deciding which version you prefer is between you and these films, but it’s our job to arrange the meeting, and we’re all out of bubble gum. You should follow Brian (@Briguysalisbury), Cargill (@Massawyrm), and the show (@Junkfoodcinema). Download Episode #9 Directly

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Rolling Thunder

This week, Cargill and I call down the thunder. Specifically, we discuss one of our absolute favorite exploitation revenge films from the 1970s: Rolling Thunder. Written by Paul Schrader (Taxi Driver, Raging Bull) pens this incredibly subversive Vietnam War parable about a man pushed back into a life of violence when his triumphant return form a POW camp is interrupted by a thieving group of good ol’ boys/murders. Cargill and I chat about the baser satisfactions of this revenge movie, as well as the legitimately brilliant performances from William Devane and Tommy Lee Jones, and the intriguing religious allegory of the film’s intensely layered script. That, plus…you know, Sam Peckinpah-worthy shoot-outs. You should follow Brian (@Briguysalisbury), Cargill (@Massawyrm), and the show (@Junkfoodcinema). Download Episode #8 Directly

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Fright Night 1985

Vampires are timeless; by their very nature immortal. Still, Hollywood has so shat the coffin with vampire movies of late that the creeping shadow on the wall no longer belongs to Nosferatu, but rather to permeating audience apathy. But there was a time, gentle viewer, when the legacy of the vampire canon found a way to integrate gloriously into the zeitgeist of a new era. That time was the 1980s. On this week’s episode, Cargill and I discuss some of our favorite vampire movies of the ’80s and examine how they incorporated the spirit of that decade into the long-running mythology of the blood-sucking undead. We won’t say this is an episode of Junkfood Cinema that you should sink your teeth into, because that’s far too obvious. That being said, you should totally sink your teeth into this episode of Junkfood Cinema. You should follow Brian (@Briguysalisbury), Cargill (@Massawyrm), and the show (@Junkfoodcinema). Download Episode #7 Directly

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Transformative technology. Fips. The Marvel Model disrupting superhero movies (and how it can survive alongside perpetual reboots). The literal death of film. Megan Ellison saving movies. The sleeper hits of 2012 and a great movie year for every kind of fan. Emerging independent funding. Fans saving shows with their own money. The digital horizon. Here at the end of the year (and the end of this podcast) I’ve asked FSR associate editor Rob Hunter, Cinema Blend editor-in-chief Katey Rich, Movies.com managing editor Erik Davis and screenwriter Geoff Latulippe (Going the Distance) to talk about the things that will never be the same again in the movie world after 2012. They’ve come through with some incredibly interesting answers. Plus, your view on what’s changing and a look ahead to the future. Download Episode #156

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From placing Citizen Kane in a modern, Murdoch-filled context to getting really close up with Joan of Arc, Landon Palmer and I have been re-examining the Sight & Sound Top Ten, and we’re hoping we learned something. Today, we’ll compare notes and see how the list has rewritten history for silent films, elevated “serious” work and acted as a queue-filling reminder that there are always more amazing movies to discover. Download Episode #155

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Although different in style and tone, celebrating Halloween and Suspiria together is an obviously great idea after speaking with Patrick Melton and Marcus Dunstan, two horror writers who have created wicked traps for the Saw franchise, played lifeguard for Piranha 3DD and continue the terror of their own masked killer with the forthcoming The Collection. From grisly realism to stylized violence, we discuss how they both prove horror films can be beautiful and revel in Melton’s still-fierce fear of the plants outside his window. Plus, we check in with Bloody Good Horror co-host Casey Criswell to get his take on the new Evil Dead (2013) trailer. Download Episode #154

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The Black List

As it says on its website, The Black List — the annual guide to the most well-liked unproduced screenplays floating around Hollywood — is responsible for over 200 scripts getting made into films. The unique project was created by Franklin Leonard, a production executive working up until recently for Overbrook Entertainment, who drops the listing every year on the second Friday in December. In the past, it’s been a useful tool for both writers who want to get their work noticed and executives who want to find something worth making. If there’s been any true critique of The Black List, it’s that it’s too insular. As Slate’s David Haglund noted in 2011, it’s a project that celebrates work that’s already made its way inside the impossibly closed circle of the Hollywood studio system. Perhaps in response to that criticism (but probably born more from a broader, higher ideal), Leonard didn’t wait until Christmas to unveil a new mission: to open the Black List to everyone. If you’re an aspiring screenwriter, The Black List is now a machine for getting your work read by the right people. For $25 a month, per script, they’ll host your work in a database where 1200+ professionals (studio and non) will be able to read it, propelled by an algorithm of ratings. Obviously, nothing like this has been tried before, but because it’s such an exciting initiative, it also demands a high level of scrutiny. To that end, Leonard has penned a lengthy piece explaining his […]

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Early work from J.J. Abrams! Paul Walker speaking in a high-pitched lady voice! Jaw-ripping pranks gone wrong! After gaining incredible popularity on YouTube and making one of the best sequences in V/H/S, the gang from Radio Silence goes out on a limb to celebrate the underserved horror classic movie, Joy Ride. Can they convince you to fall in love with it? Download Episode #153

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published: 12.23.2014
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published: 12.22.2014
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published: 12.19.2014
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