Podcast

Are you ready for a revolution in film criticism? Fat Guys at the Movies, hosted by Kevin Carr and Neil Miller, is the break that your movie-going senses have been yearning for. Sick of all the snobby critics bashing Will Ferrell? We’re here for you…

Matthew Lillard Fat Kid Rules The World

Matthew Lillard was one of the iconic faces of high school life in the 1990s. His roles in Scream, SLC Punk, Hackers and She’s All That cemented that image throughout a broad base of genres. Now, he’s returned to high school for his first stint as a director. In Fat Kid Rules the World, an obese kid is brought back from the suicidal brink by punk rock music and a new friend. Lillard took the time to speak with me about the annoying passivity of film acting, what he has in common with Tyler Perry and the ten-year journey of bringing this adaptation to an audience. Check out the interview below: Download This Interview Enjoy More Reject Radio

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All throughout October, we’ll be hearing from horror filmmakers about their favorite scary movies. First up is the legendary Joe Dante, whose new movie The Hole is available on DVD/Blu-ray and VOD. He’ll spread a little love to Val Lewton, talk about a movie with a very specific meaning to Catholics and explain how he makes horror work for ages 6 through 96. Download Episode #151

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For our 150th episode, we decided to go back to the first show’s conversations, and we discovered something mildly depressing: that the discussions are pretty much the same. In 2012, we’re still talking about the topics of 2009; Transformers (a fourth is on the way), G.I. Joe (a delayed sequel is coming), Avatar (a dozen follow-ups will keep James Cameron busy until he retires), Marvel flicks (which have dominated) and remakes (which have not). Good thing we changed the format of the show a while back. Beyond the great repetition, reviewing the news from 3 years ago reveals a lot about the state of modern filmmaking through the lens of hindsight. Werner Herzog is a highlight, and revisiting the releases (Drag Me To Hell and Up) gives us an idea of what might actually endure. On this week’s show, we re-form the team from that pilot episode – site publisher Neil Miller and associate editor Rob Hunter – to dip ourselves in the cool waters of nostalgia and try to figure out what, if anything, is different about the movie-making landscape after 150 shows. Download Episode #150

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IU Cinema

In 2010, Jon Vickers was named the first director of the Indiana University Cinema, a bold initiative to build a world-class film screening program at the university. The hiring, much like the renovation of their 1930s theater into a THX-certified modern venue, was a noted combination of reverence for cinematic history and foresight into its future. In this interview, we sit down with Vickers to take a verbal tour of the new theater, to discuss the challenges of programming in an age between film and digital, to figure out how to entice Werner Herzog to your cinema, and to share a personal love of movies. Of course, there’s also the big question: how can an art house scene thrive in a city of only 80,000? Check out the interview below: Download This Interview Enjoy More Reject Radio

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Neil Berkeley‘s new documentary, Beauty is Embarrassing, invites us into the blissful insanity of Wayne White – the artist behind Pee-Wee’s Playhouse, several iconic music videos and a ton of incredible prints. Both men join me to discuss the nature of art, why it could possibly be embarrassing, and then I try to get them to say the word of the day. Download Episode #149

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Is the chasm between active participation in video games and passive observation in movies too wide to cross? It’s undeniable that the major studios have stumbled a bit when it comes to adapting video games into movies, but are there lessons from the video game industry itself that producers can learn? To answer this question, we turn to movie reviewer, Wizard World managing editor, and producer of Planet of the Apps over at Machinima, Kevin Kelly. Download Episode #148

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“Fangoria” as a gateway drug, YouTube fame leading to feature work, a magical 1998 Camry, the way porn plays with our minds, filming “Safety Second” style, and most of all trying to make found footage horror not feel like boring home movies. The filmmakers behind V/H/S (which is available on iTunes and VOD today) wanted to increase the ratio of scares per minute by combining the new popular subgenre with a throwback anthology style. On this week’s podcast, we mirror that anthology style in order to talk with many of the minds behind the punk horror explosion. Download Episode #147

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In The Words, Bradley Cooper stars as a writer who builds a bit of success off of another man’s work and sees that decision spiral outward (and downward). With Jonah Lehrer and Fareed Zakaria making headlines for not being completely honest with readers, plagiarism is a hot topic in our information-fueled culture, so writer/directors Brian Klugman and Lee Sternthal join me to discuss their new movie where theft becomes a metaphor for ambition in a society short on patience. They also pass down the lessons they learned making their first feature and reveal the one item every director should own. Download Episode #146

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Movie theaters downloading their films from a secure studio-run cloud; inexpensive high-quality cameras at the fingertips of creators; fans as front-end financiers. It may represent 5 short years, but technology and culture are shifting so quickly that the movie world of 2017 has the potential to look radically different than our own. How will studios respond to an influx of independent films? Will a rejection of owning physical discs lead to a ballooning rental business? Will actors and creator be able to earn millions without stepping foot on a studio lot? We’ve asked Tugg CEO and Terrance Malick production partner Nicolas Gonda as well as savvy, forward thinking indie producer Keith Calder (The Wackness, The Greatest Movie Ever Sold, Thunder Soul) to mentally step into a time machine and report back on what that world might look like. From production to exhibition and everything in between. The only sure thing is that cars will be driving us to the theater themselves. And that Men in Black V is probably going to kick ass. Download Episode #145

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Filminute Festival

If you only had a minute to tell a story, what would you say? Would it be enough time to express great human sorrow? A gut-punch of a laugh? As it turns out, filmmakers from all over the world achieve this feat every year at the Filminute International One-Minute Film Festival. Currently in its 7th year, executive director John Ketchum is once again issuing the challenge to everyone to deliver a strong movie in only a minute. It seemed only fair to give him a single minute to pitch his film festival. We go slightly over, but maybe that’s just more proof of tough the challenge is. The online festival will run during the month of September, and you can check out the entire proceedings at Filminute’s website, but for now, here’s Ketchum with a bit about their philosophy and what you can expect. Check out the incredibly brief interview below: Download This Interview Enjoy More Reject Radio

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MoPix CEO Ryan Stoner wants your movie to find an audience. He also wants fans to find new filmmakers. His company is a turnkey digital distribution model that seeks to give up to 100% of profit made through online “ticket” sales back to the production. It’s a bold new business, and he joins us to discuss their goals, what drives them, and his vision for the future. Plus, Cinema Blend Editor-in-Chief and Operation Kino host Katey Rich joins the show to play Good News Bad News with this week’s top stories. Download Episode #144

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Not content to deliver the same kind of movie as REC and REC 2, Paco Plaza has crawled way out onto a blood-covered limb to turn the third installment, REC 3: Genesis, into a romantic horror comedy set at a wedding. There are still some jaw-ripping practical effects and zombie scares aplenty, but the tone is purposefully meant to deny audience’s their expectations.The gamble is one that might alienate fans. This week on Reject Radio Horror Chit Chat, we speak with the director about the risk in making something beyond expectations (and how he plans on getting killed quickly when the zombie apocalypse goes down). Plus, we get into a thorough discussion about remakes with our old friend Scott Weinberg. Download Episode #143

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Jay Chandrasekhar and Kevin Heffernan Baby

What would Jay Chandrasekhar and Kevin Heffernan‘s baby look like? Thanks to science (i.e. This Website), we now know. Pretty damned handsome, actually. In their latest movie, The Babymakers, a loving husband (Paul Schneider) finds out his swimmers are sad, so he’s forced to rob a sperm bank to get his last viable donation back and impregnate his wife (Olivia Munn) with it. Directed by Chandrasekhar and co-starring Heffernan, the pair joined us to discuss the finer points of semen heists, to talk about the time they turned down the chance to remake a comedy classic and how studios are now pushing comedy filmmakers to get extreme. And, yes, of course, they’re both champing at the bit to make Super Troopers 2. Check out the entire 15-minute interview below: Download This Interview Enjoy More Reject Radio

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Adaptation Nic Cage

The Writers Guild of America‘s latest survey of screenwriters [PDF] shows that the world of storytelling isn’t that sunny. From the bother of late payments to the difficulty of sweepstakes pitching, the overall number of screenwriters is down along with the overall money their industry is able to make. So what happened? For former WGA board member Craig Mazin, it seems like the movie industry is less and less interested in making movies. He joins us to explain a key business shift that created a huge work gap between screenwriters, to dissect the results of the survey, and to define some of the technical jargon. Oh, and if you’re looking for a happy ending, this particular Hollywood story might not have one. Fair warning. Check out the entire 24-minute interview below: Download This Interview Enjoy More Reject Radio

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Do we define ourselves by the art we love? Why do we get so defensive when it’s attacked? To answer that, I invite critic Eric D. Snider (who recently received a death threat for his fake, negative review of The Dark Knight Rises) to ask if he can empathize with the kind of passion that leads someone to get angry with a stranger on the internet who disagrees. Download Episode #142

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We’ve been waiting on Sight & Sound‘s Top Ten List for the past ten years, and it comes out in a few weeks. To get prepped for it, and to explore the strange work of choosing the ten best movies of all time, In Contention critic and first time voter Guy Lodge explains the thought process that went into creating his list. It’s a seemingly impossible task. After all, do you place Vertigo about North By Northwest? Do you go purely personal or for “important” works? Do you brazenly include an embarrassing favorite or stick with a list that will be respectable? And why does Citizen Kane always win? Download Episode #141

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Yorgos Lanthimos confounded and excited fans with Dogtooth and he returns to theaters this summer with Alps – the story of a group that begins a business where they impersonate the recently deceased in order to help the mourning cope. In this interview with Landon Palmer, Lanthimos discusses toying with identity and death while giving an eye into his filmmaking process (and describing the difficulty in marketing a movie while trying to maintain its mysteriousness). Download Episode #140

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How much movie advertising is too much? What’s the number? When 25% of the movie is online in ads before it comes out? 10%? 2%? Are you ready to go back to a world where the magic and mystery happens when you’re in the theater instead of at your laptop? Louis Plamondon’s (aka Sleepy Skunk) “Amazing Spider-Man in 25 Minutes” is an awesome look at the movie, but it’s also a critical middle finger to movie marketers for stealing that magic. We spoke with the mash-up editor about finding 20% of a blockbuster online before it hit theaters, what that means for piracy and how that’s deeply unfair to the people who worked on the movie. Download Episode #139

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The Do-Deca-Pentathalon

The Duplass Brothers got into making movies by making movies. Some called it Mumblecore, but it should really be called The Nike Method. Their latest, The Do-Deca-Pentathalon features two brothers locked in an epic (yet secretive) sporting event that they take exactly as seriously as it needs to be taken. But as Mark and Jay Duplass explain in this interview, no matter the type of movie they make, they’ll always focus on the small moments and emotions that arise from them. One example? Battleship. If given the blockbuster, here’s how the pair would have delivered the littoral explosion-fest

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Daniel Stamm‘s A Necessary Death is like a shot of whiskey that’s easy to pour but not easy to drink. His directorial debut (which won him the job for The Last Exorcism) follows a film student making a documentary about a man preparing for, and going through with, his suicide. It’s difficult territory to be certain, but it’s handled with grace, humor, and more than a few touching moments which make the horror of the inevitable and the twisting emotions growing in the film crew that much harder to handle. It’s an excellent movie, and Stamm joins us to delve deeper into its creation (and audience’s reactions). Download Episode #138

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