Podcast

Are you ready for a revolution in film criticism? Fat Guys at the Movies, hosted by Kevin Carr and Neil Miller, is the break that your movie-going senses have been yearning for. Sick of all the snobby critics bashing Will Ferrell? We’re here for you…

Big Trouble in Little China

Continuing through our month-long series of sci-fi comedies, Cargill and I decide to take a few cues from good ol’ Jack Burton. So this week, we’re broadcasting from our own Porkchop Express and talking to anyone who’s listening about the triumphant weirdness of John Carpenter’s Big Trouble in Little China. Now we aren’t saying we’ve been everywhere and seen every film, but we do know Big Trouble is a pretty amazing flick and a man would have to be some kind of fool to believe we’re all alone in that opinion. If you’ve paid your dues, and if you were born ready, join us for an in-depth chat about one of the greatest genre-bending cinematic rides of all time. It may not shake the pillars of heaven, but you can bet your mullet it’ll be a whole lot of fun.   You should follow Brian (@Briguysalisbury), Cargill (@Massawyrm), and the show (@Junkfoodcinema). Download Episode #20 Directly

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Robin Williams Hook

We wanted to discuss magic, laughter and the difficult stuff that lies in between on this week’s show because Robin Williams was so much more than a comedian. One of the very best, to be sure, but he was like a Guinness World Record holder who somehow found time for a dozen other hobbies. Which he then mastered. So what was supposed to be a normal-length segment ballooned into a winding conversation about  a tireless artist’s power to find a human connection in everything he did. We talk funny stuff, dark stuff, and Geoff explains how Williams in Mrs. Doubtfire made him understand his own dad. Plus, we speak with To Be Takei director Jennifer M. Kroot about chronicling Sulu in his natural habitat (and a little on how to hide in plain sight with a massive camera on your shoulder). You should follow the show (@brokenprojector), Geoff (@drgmlatulippe) and Scott (@scottmbeggs) on Twitter for more on a daily basis. Please review us on iTunes Download Episode #69 Directly Or subscribe Through iTunes

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Buckaroo Banzai

Having emerged from our Summer vacation, Cargill and I hit the ground running so fast that you’d think we had oscillation overthrusters strapped to our backs. In honor of my overwhelming crush on all that is Guardians of the Galaxy, we have curated our first ever ongoing series here at JFC. Over the next few weeks, we’ll be examining our favorite sci-fi comedies from years past. First up, we go gallivanting into the 8th dimension with the likes of none other than Buckaroo Banzai himself. What is it about this weird cinematic goulash that has remained so indelible to cult audiences for decades? What behind-the-scenes circumstances may have affected the film’s acceptance by the mainstream? Where the hell is our sequel already?! You should follow Brian (@Briguysalisbury), Cargill (@Massawyrm) and the show (@Junkfoodcinema). Download Episode #19 Directly

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Pay It Forward Movie

Who have you randomly bought pizza for this week? Today on the show, we’ll speak with comedian and TV writer Ricky Smith about his Random Acts of Kindness Everywhere movement, his documentary Follow Me and his Twitter-based rise into the entertainment world. Plus, Geoff will answer screenwriting questions about the phantom of writer’s block and montages. More importantly, we want to invite you to check out Geoff’s Six Week Spec Writing project where 10 aspiring writers will be chosen to produce a spec script in a month and a half while chronicling their trials and tribulations. At the end of the road, they’ll have free hosting at The Black List and four professional script readers providing feedback on their screenplay. You should follow Ricky (@rickonia), the show (@brokenprojector), Geoff (@drgmlatulippe) and Scott (@scottmbeggs) on Twitter for more on a daily basis. Please review us on iTunes Download Episode #68 Directly Or subscribe Through iTunes

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Return of the Jedi

In what universe could Minnie Mouse fight crime with The Hulk? In our own. This week on the show, Geoff and I will toss around a few ideas for movie universes to collide — legally based on which global conglomerate owns which intellectual properties. Get ready to see Donald, Darkwing and Howard the Duck team up for an adventure with a terrible title. Plus, since we’re retuning from break, we wanted to talk about the phenomenon of and meaning behind adding “The Return of” to your hero’s sequelized journey. What kinds of movies boldly ask us to return and why? Double plus, we’ll speak with Landon Palmer about The Blair Witch Project and how we’ve been judging it unfairly all these years. You should follow Landon (@landonspeak), the show (@brokenprojector), Geoff (@drgmlatulippe) and Scott (@scottmbeggs) on Twitter for more on a daily basis. Please review us on iTunes Download Episode #67 Directly Or subscribe Through iTunes

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Layover Movie

Let’s say you desperately want to make a feature film, but you don’t have any money to do it. Can you scrape together a few thousand? Good, because writer/director Joshua Caldwell and producer Travis Oberlander join us this week to explain how they made Layover for only $6,000. Beyond making a movie for a few months’ rent, Geoff and I will answer your screenwriting questions and continue our star-spangled conversation from last week by exploring the concepts of Freedom and Revolution as they apply (for better and worse) to filmmaking. You should follow Caldwell (@joshua_caldwell), Travis Oberlander (@tobewan), the show (@brokenprojector), Geoff (@drgmlatulippe) and Scott (@scottmbeggs) on Twitter for more on a daily basis. Please review us on iTunes Download Episode #66 Directly Or subscribe Through iTunes

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The Last Man on Earth

Last weekend, Cargill and I did something we had never done before. (Watch good movies?) QUIET YOU! The good folks at Minneapolis’ CONvergence foolishly agreed to host the first ever live broadcast of Junkfood Cinema! Despite the ‘cast falling on July 4th, we sashayed around expectation and opted not to discuss Independence Day. Instead, we devoted our main topic to the late, great Richard Matheson. We chat about our favorite films based on his works as well as break down all three filmic versions of I Am Legend. We finish things off with a few questions from the audience, (people actually showed up, crazy right?), which leads to a nearly orgasmic conversation about the Thai actioner Born To Fight. Seriously, that film makes Gymkata look like…Gym…nada. Burn. If you weren’t able to listen live, please enjoy this cached audio of Junkfood Cinema Live! You should follow Brian (@Briguysalisbury), Cargill (@Massawyrm), and the show (@Junkfoodcinema). Download Episode #18 Directly

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Team America World Police

For our extra special Independence Day Eagle-Blasted, Star-Spangled, Overly-Adjectived Extravaganza, Geoff and I ponder the very nature of the United States of America. We try to hone in on its complexities and paradoxes by contemplating what movies best capture Columbia’s essence. In other words, the most American movies ever made. Is there a particular genre that echoes its spirit? Is it more about pure patriotism or can the story display our darker side? Where does the heart of American cinema lie? Listen and contemplate while you grill meat stuffed into another meat, or as you slide down the tarp you poured dish soap onto. Plus, to celebrate our victory over the British, we invite the absolutely delightful Maisie Williams onto the show to discuss her new movie Heatstroke, explain why she’s not Justin Bieber and share her love for Twitter. You should follow Williams (@maisie_williams), the show (@brokenprojector), Geoff (@drgmlatulippe) and Scott (@scottmbeggs) on Twitter for more on a daily basis. Please review us on iTunes Download Episode #65 Directly Or subscribe Through iTunes

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Under Siege

This week, Cargill and I are walking on, walking on broken glass. That is to say we are treading dangerously over the broken shards of Die Hard ripoffs. John McClane not only made trouble for Hans Gruber, he distinctly altered the course of action cinema for years to follow. Brian gives his Slop 10 of “Die Hardlies” while Cargill…well…grimaces mostly. You may or may not believe which films make the cut. You should follow Brian (@Briguysalisbury), Cargill (@Massawyrm), and the show (@Junkfoodcinema). Download Episode #17 Directly

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Rounders Oreos

In less than 300 days, writer/producer/director Brian Koppelman has delivered 300 screenwriting lessons, 6 seconds at a time. That’s a half hour of Vines that act as miniature cattle prods for anyone looking to have the creative section of their brain lit up. To celebrate the achievement, Brian joins me to explain what a beloved cookie has to do with the writing process, to describe the methods he uses to get unstuck, and to challenge a conventional way of thinking about “breaking into the business.” You should follow Brian (@briankoppelman), the show (@brokenprojector), Geoff (@drgmlatulippe) and Scott (@scottmbeggs) on Twitter for more on a daily basis. Please review us on iTunes Download Episode #64 Directly Or subscribe Through iTunes

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Elvis Presley King Creole

This week, as Cargill roams the Himalayas in search of more discarded VHS copies of Skatetown USA, I am joined by FSR’s own Culture Warrior and soon-to-be-PhD Landon Palmer for a discussion of the deep-fried film oeuvre of The King himself. Almost-Dr. Palmer is definitely taking care of business as he breaks down how the shifts in Elvis Presley‘s onscreen performances mirror the shifts in rock-n-roll culture through the 50s and 60s. For my part, I go all fainting Bobby soxer over my love for King Creole and reveal how many times I’ve been to Graceland. All this, plus the reveal of which Elvis movie was intended to feature a talking camel. A little less conversation, Mr. Presley? Oh no, I think we need a lot LOT more. You should follow Brian (@Briguysalisbury), Landon (@landonspeak), and the show (@Junkfoodcinema). Download Episode #16 Directly

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13 Sins

This week on the show, 13 Sins director Daniel Stamm reveals what he’d sell his soul for, discusses The Hero’s Journey as addiction and describes how he’s using his knowledge of movie marketing (and misleading trailers) to subvert the system. They should really let German directors make more rom-coms. Plus, Geoff and I will break down movie scenes that make us break down in order to figure out how they make us cry. Fair warning: the first ten minutes of Up will be discussed. Come prepared. You should follow Daniel Stamm (@stammdaniel), the show (@brokenprojector), Geoff (@drgmlatulippe) and Scott (@scottmbeggs) on Twitter for more on a daily basis. Please review us on iTunes Download Episode #63 Directly Or subscribe Through iTunes

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Overdrive Movie Truck

Fasten your safety belts, junkies, because this week’s episode…wait, no. Don’t fasten the seat belt at all. Get out of that car immediately! It’s sentient, it’ll destroy you! IT’S WHAT EVIL DRIVES!!! Luckily, what drives me and Cargill is our love for strange filmic subgenres, not the least of which being the fuel-injected, tire-squealing landscape of killer car flicks. On this week’s episode, we veer into oncoming excellence; popping the hood on five of our favorite vicious vehicles from cinema past. We also park the show momentarily to stare aghast at the sheer audacity of Stephen King’s incendiary remarks during the Maximum Overdrive trailer. Don’t idle, you’ve got the green light to download another high octane edition of Junkfood Cinema.

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Enlisted show

This post is in partnership with Cadillac Cadillac and the Producers Guild of America recently launched Make Your Mark, a short film competition that challenges producers to create compelling content with limited resources. Contestants will make a short film over a single weekend in late June, and the 30-second Cadillac spot featuring the grand prize winner’s film will air during the 2015 Academy Awards. As such we’ll be speaking with last year’s winner Jason Shulz, who offers his experience and some helpful lessons for those filmmakers who want to hoist the trophy for themselves this year. Plus, in a segment that tears us apart, Geoff and I will chat about the pure, accidental brilliance of The Room and what it’s like to watch an unintentionally terrible movie while sitting next to its director. Last, but definitely not least, we’ll talk to Enlisted creator Kevin Biegel about why he’s fighting so hard to promote a show that’s already been cancelled. He’ll also offer some keen advice about breaking into TV writing that you won’t want to miss. You should follow Kevin Biegel (@kbiegel), the show (@brokenprojector), Geoff (@drgmlatulippe) and Scott (@scottmbeggs) on Twitter for more on a daily basis. Please review us on iTunes Download Episode #62 Directly Or subscribe Through iTunes

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The Avengers

Last year around this time we were growing tired of the summer blockbuster bloat, so we took a break by looking ahead to the future that’s now the present. We’re feeling a bit winded yet again by all the city-stomping, stadium-lifting largeness, so it’s time to take refuge once again in the eternal potential of amazing movies that we can’t see for another year. Yes, the summer blockbusters of 2015. Fortunately, old robot Arnold Schwarzenegger and Hulk are here to guide us. Plus, we’ll discuss the concept of raising stakes in screenwriting by examining some movies that do it well, and we’ll praise Tom Cruise’s decades-long excellent for no other reason than to praise him. Follow the show (@brokenprojector), Geoff (@drgmlatulippe) and Scott (@scottmbeggs) on Twitter for more on a daily basis. Please review us on iTunes Download Episode #61 Directly Or subscribe Through iTunes

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Return to Horror High Clooney

This week, Cargill and I go outside the Actor’s Studio to examine the early horror films of one Mr. George Clooney, or as you may now know him: God-King of Hollywood. Back in the glory days, the all-or-nothing days, before bestriding the narrow world like a colossus, Clooney was a struggling actor same as countless others, forced to take roles in b-horror outings in order to pay the rent. However, these horror films each had something special and of surprisingly quality to offer. Most interesting of the bunch is the never-released Grizzly II, on which Cargill and I go into startling detail. We also announce our July 4th appearance at CONvergence in Minneapolis! Can’t venture to America’s Hoth that weekend? No problem! We’ll be recording an episode during the CON and will make it available to you, our beloved Junkies, directly thereafter. You should follow Brian (@Briguysalisbury), Cargill (@Massawyrm), and the show (@Junkfoodcinema). Download Episode #14 Directly

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Trust Me Clark Gregg

Clark Gregg recently wrote, directed and starred in an indie called Trust Me, and instead of asking one question about it before moving on to nine questions about Marvel movies, we took the opportunity to dig deep into what’s clearly a very personal work. In the movie he plays a former child actor turned child actor agent (have fun, Psych majors) who discovers an amazingly gifted young actress who might join a major franchise and bring him the success he’s always dreamed of. Spoiler alert: Loki never shows up. Plus, Geoff and I answer your screenwriting questions and then discuss some bizarre real-life things that would make amazing movies. Follow the show (@brokenprojector), Geoff (@drgmlatulippe) and Scott (@scottmbeggs) on Twitter for more on a daily basis. Please review us on iTunes Download Episode #60 Directly Or subscribe Through iTunes

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Krull Movie

For this week’s episode, Cargill and I explore the wonderful world of 1983′s Krull. We examine the movie’s glorious genre pastiche and undeniably rich character development, as well as spinning our own perspective on “the glaive problem.” We also explain how the structure and spirit of Krull makes it the perfect cinematic appetizer to James Gunn’s Guardians of the Galaxy. Oh, and I may or may not analyze the startling accuracy of the Krull Atari game…spoiler alert, I totally do that. You should follow Brian (@Briguysalisbury), Cargill (@Massawyrm), and the show (@Junkfoodcinema). Download Episode #13 Directly

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X-Men: Days of Future Past Time Travel

What if you could go back in time and set your favorite shark-jumping movie franchise back on the right course? Which would you choose? How would you do it? Would it require Hugh Jackman getting naked and standing in front of a window? We tackle all of these questions on this week’s show as we try to right some cinematic wrongs, review X-Men: Days of Future Past in depth and dissect a famous scene from Back to the Future (see below) to figure out why it works so damned well. We’ve got time travel and changing history on our minds, so let us use our mutant powers on your ear drums so we can all head back to the 1970s. You might feel a pinch. Follow the show (@brokenprojector), Geoff (@drgmlatulippe) and Scott (@scottmbeggs) on Twitter for more on a daily basis. Please review us on iTunes Download Episode #59 Directly Or subscribe Through iTunes

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Flash Gordon

On this week’s episode, in honor of the upcoming X-Men flick, Cargill and I mount our own exploration into alternate timelines as part of a new recurring series we’ve dubbed Movies of Future Past. For the inaugural foray, we imagine a universe in which George Lucas had actually acquired the rights to Flash Gordon and made that his 1977 sci-fi opus instead of Star Wars. It’s one of cinema’s most intriguing What If’s. Heck, as it stands, Lucas’ fascination with the Flash Gordon serials of the ’30s actually ended up informing so much of what Star Wars became. But that’s in this dimension, where history books have facts and whatnot. It’s far more entertaining to travel to other timelines where we’re confined only to the limits of our wild speculations!!! You should follow Brian (@Briguysalisbury), Cargill (@Massawyrm), and the show (@Junkfoodcinema). Download Episode #12 Directly

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