Podcast

Are you ready for a revolution in film criticism? Fat Guys at the Movies, hosted by Kevin Carr and Neil Miller, is the break that your movie-going senses have been yearning for. Sick of all the snobby critics bashing Will Ferrell? We’re here for you…

The Last Man on Earth

Last weekend, Cargill and I did something we had never done before. (Watch good movies?) QUIET YOU! The good folks at Minneapolis’ CONvergence foolishly agreed to host the first ever live broadcast of Junkfood Cinema! Despite the ‘cast falling on July 4th, we sashayed around expectation and opted not to discuss Independence Day. Instead, we devoted our main topic to the late, great Richard Matheson. We chat about our favorite films based on his works as well as break down all three filmic versions of I Am Legend. We finish things off with a few questions from the audience, (people actually showed up, crazy right?), which leads to a nearly orgasmic conversation about the Thai actioner Born To Fight. Seriously, that film makes Gymkata look like…Gym…nada. Burn. If you weren’t able to listen live, please enjoy this cached audio of Junkfood Cinema Live! You should follow Brian (@Briguysalisbury), Cargill (@Massawyrm), and the show (@Junkfoodcinema). Download Episode #18 Directly

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Team America World Police

For our extra special Independence Day Eagle-Blasted, Star-Spangled, Overly-Adjectived Extravaganza, Geoff and I ponder the very nature of the United States of America. We try to hone in on its complexities and paradoxes by contemplating what movies best capture Columbia’s essence. In other words, the most American movies ever made. Is there a particular genre that echoes its spirit? Is it more about pure patriotism or can the story display our darker side? Where does the heart of American cinema lie? Listen and contemplate while you grill meat stuffed into another meat, or as you slide down the tarp you poured dish soap onto. Plus, to celebrate our victory over the British, we invite the absolutely delightful Maisie Williams onto the show to discuss her new movie Heatstroke, explain why she’s not Justin Bieber and share her love for Twitter. You should follow Williams (@maisie_williams), the show (@brokenprojector), Geoff (@drgmlatulippe) and Scott (@scottmbeggs) on Twitter for more on a daily basis. Please review us on iTunes Download Episode #65 Directly Or subscribe Through iTunes

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Under Siege

This week, Cargill and I are walking on, walking on broken glass. That is to say we are treading dangerously over the broken shards of Die Hard ripoffs. John McClane not only made trouble for Hans Gruber, he distinctly altered the course of action cinema for years to follow. Brian gives his Slop 10 of “Die Hardlies” while Cargill…well…grimaces mostly. You may or may not believe which films make the cut. You should follow Brian (@Briguysalisbury), Cargill (@Massawyrm), and the show (@Junkfoodcinema). Download Episode #17 Directly

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Rounders Oreos

In less than 300 days, writer/producer/director Brian Koppelman has delivered 300 screenwriting lessons, 6 seconds at a time. That’s a half hour of Vines that act as miniature cattle prods for anyone looking to have the creative section of their brain lit up. To celebrate the achievement, Brian joins me to explain what a beloved cookie has to do with the writing process, to describe the methods he uses to get unstuck, and to challenge a conventional way of thinking about “breaking into the business.” You should follow Brian (@briankoppelman), the show (@brokenprojector), Geoff (@drgmlatulippe) and Scott (@scottmbeggs) on Twitter for more on a daily basis. Please review us on iTunes Download Episode #64 Directly Or subscribe Through iTunes

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Elvis Presley King Creole

This week, as Cargill roams the Himalayas in search of more discarded VHS copies of Skatetown USA, I am joined by FSR’s own Culture Warrior and soon-to-be-PhD Landon Palmer for a discussion of the deep-fried film oeuvre of The King himself. Almost-Dr. Palmer is definitely taking care of business as he breaks down how the shifts in Elvis Presley‘s onscreen performances mirror the shifts in rock-n-roll culture through the 50s and 60s. For my part, I go all fainting Bobby soxer over my love for King Creole and reveal how many times I’ve been to Graceland. All this, plus the reveal of which Elvis movie was intended to feature a talking camel. A little less conversation, Mr. Presley? Oh no, I think we need a lot LOT more. You should follow Brian (@Briguysalisbury), Landon (@landonspeak), and the show (@Junkfoodcinema). Download Episode #16 Directly

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13 Sins

This week on the show, 13 Sins director Daniel Stamm reveals what he’d sell his soul for, discusses The Hero’s Journey as addiction and describes how he’s using his knowledge of movie marketing (and misleading trailers) to subvert the system. They should really let German directors make more rom-coms. Plus, Geoff and I will break down movie scenes that make us break down in order to figure out how they make us cry. Fair warning: the first ten minutes of Up will be discussed. Come prepared. You should follow Daniel Stamm (@stammdaniel), the show (@brokenprojector), Geoff (@drgmlatulippe) and Scott (@scottmbeggs) on Twitter for more on a daily basis. Please review us on iTunes Download Episode #63 Directly Or subscribe Through iTunes

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Overdrive Movie Truck

Fasten your safety belts, junkies, because this week’s episode…wait, no. Don’t fasten the seat belt at all. Get out of that car immediately! It’s sentient, it’ll destroy you! IT’S WHAT EVIL DRIVES!!! Luckily, what drives me and Cargill is our love for strange filmic subgenres, not the least of which being the fuel-injected, tire-squealing landscape of killer car flicks. On this week’s episode, we veer into oncoming excellence; popping the hood on five of our favorite vicious vehicles from cinema past. We also park the show momentarily to stare aghast at the sheer audacity of Stephen King’s incendiary remarks during the Maximum Overdrive trailer. Don’t idle, you’ve got the green light to download another high octane edition of Junkfood Cinema.

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Enlisted show

This post is in partnership with Cadillac Cadillac and the Producers Guild of America recently launched Make Your Mark, a short film competition that challenges producers to create compelling content with limited resources. Contestants will make a short film over a single weekend in late June, and the 30-second Cadillac spot featuring the grand prize winner’s film will air during the 2015 Academy Awards. As such we’ll be speaking with last year’s winner Jason Shulz, who offers his experience and some helpful lessons for those filmmakers who want to hoist the trophy for themselves this year. Plus, in a segment that tears us apart, Geoff and I will chat about the pure, accidental brilliance of The Room and what it’s like to watch an unintentionally terrible movie while sitting next to its director. Last, but definitely not least, we’ll talk to Enlisted creator Kevin Biegel about why he’s fighting so hard to promote a show that’s already been cancelled. He’ll also offer some keen advice about breaking into TV writing that you won’t want to miss. You should follow Kevin Biegel (@kbiegel), the show (@brokenprojector), Geoff (@drgmlatulippe) and Scott (@scottmbeggs) on Twitter for more on a daily basis. Please review us on iTunes Download Episode #62 Directly Or subscribe Through iTunes

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The Avengers

Last year around this time we were growing tired of the summer blockbuster bloat, so we took a break by looking ahead to the future that’s now the present. We’re feeling a bit winded yet again by all the city-stomping, stadium-lifting largeness, so it’s time to take refuge once again in the eternal potential of amazing movies that we can’t see for another year. Yes, the summer blockbusters of 2015. Fortunately, old robot Arnold Schwarzenegger and Hulk are here to guide us. Plus, we’ll discuss the concept of raising stakes in screenwriting by examining some movies that do it well, and we’ll praise Tom Cruise’s decades-long excellent for no other reason than to praise him. Follow the show (@brokenprojector), Geoff (@drgmlatulippe) and Scott (@scottmbeggs) on Twitter for more on a daily basis. Please review us on iTunes Download Episode #61 Directly Or subscribe Through iTunes

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Return to Horror High Clooney

This week, Cargill and I go outside the Actor’s Studio to examine the early horror films of one Mr. George Clooney, or as you may now know him: God-King of Hollywood. Back in the glory days, the all-or-nothing days, before bestriding the narrow world like a colossus, Clooney was a struggling actor same as countless others, forced to take roles in b-horror outings in order to pay the rent. However, these horror films each had something special and of surprisingly quality to offer. Most interesting of the bunch is the never-released Grizzly II, on which Cargill and I go into startling detail. We also announce our July 4th appearance at CONvergence in Minneapolis! Can’t venture to America’s Hoth that weekend? No problem! We’ll be recording an episode during the CON and will make it available to you, our beloved Junkies, directly thereafter. You should follow Brian (@Briguysalisbury), Cargill (@Massawyrm), and the show (@Junkfoodcinema). Download Episode #14 Directly

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Trust Me Clark Gregg

Clark Gregg recently wrote, directed and starred in an indie called Trust Me, and instead of asking one question about it before moving on to nine questions about Marvel movies, we took the opportunity to dig deep into what’s clearly a very personal work. In the movie he plays a former child actor turned child actor agent (have fun, Psych majors) who discovers an amazingly gifted young actress who might join a major franchise and bring him the success he’s always dreamed of. Spoiler alert: Loki never shows up. Plus, Geoff and I answer your screenwriting questions and then discuss some bizarre real-life things that would make amazing movies. Follow the show (@brokenprojector), Geoff (@drgmlatulippe) and Scott (@scottmbeggs) on Twitter for more on a daily basis. Please review us on iTunes Download Episode #60 Directly Or subscribe Through iTunes

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Krull Movie

For this week’s episode, Cargill and I explore the wonderful world of 1983′s Krull. We examine the movie’s glorious genre pastiche and undeniably rich character development, as well as spinning our own perspective on “the glaive problem.” We also explain how the structure and spirit of Krull makes it the perfect cinematic appetizer to James Gunn’s Guardians of the Galaxy. Oh, and I may or may not analyze the startling accuracy of the Krull Atari game…spoiler alert, I totally do that. You should follow Brian (@Briguysalisbury), Cargill (@Massawyrm), and the show (@Junkfoodcinema). Download Episode #13 Directly

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X-Men: Days of Future Past Time Travel

What if you could go back in time and set your favorite shark-jumping movie franchise back on the right course? Which would you choose? How would you do it? Would it require Hugh Jackman getting naked and standing in front of a window? We tackle all of these questions on this week’s show as we try to right some cinematic wrongs, review X-Men: Days of Future Past in depth and dissect a famous scene from Back to the Future (see below) to figure out why it works so damned well. We’ve got time travel and changing history on our minds, so let us use our mutant powers on your ear drums so we can all head back to the 1970s. You might feel a pinch. Follow the show (@brokenprojector), Geoff (@drgmlatulippe) and Scott (@scottmbeggs) on Twitter for more on a daily basis. Please review us on iTunes Download Episode #59 Directly Or subscribe Through iTunes

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Flash Gordon

On this week’s episode, in honor of the upcoming X-Men flick, Cargill and I mount our own exploration into alternate timelines as part of a new recurring series we’ve dubbed Movies of Future Past. For the inaugural foray, we imagine a universe in which George Lucas had actually acquired the rights to Flash Gordon and made that his 1977 sci-fi opus instead of Star Wars. It’s one of cinema’s most intriguing What If’s. Heck, as it stands, Lucas’ fascination with the Flash Gordon serials of the ’30s actually ended up informing so much of what Star Wars became. But that’s in this dimension, where history books have facts and whatnot. It’s far more entertaining to travel to other timelines where we’re confined only to the limits of our wild speculations!!! You should follow Brian (@Briguysalisbury), Cargill (@Massawyrm), and the show (@Junkfoodcinema). Download Episode #12 Directly

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Godzilla 2014

In our shortest episode of the year, I take a minute to dissect the way gigantic things are being portrayed on screen and to consider how Godzilla is like the most recent doomsday climate change report. Plus, Jack interviews the legendary Bill Paxton who plays a pitching coach in Million Dollar Arm. They get philosophical about acting just above a whisper and going calmly over the top. Fortunately, the lurking Predator decides not to attack them in the process. You should follow Jack (@jackgi), the show (@brokenprojector), Geoff (@drgmlatulippe) and Scott (@scottmbeggs) on Twitter for more on a daily basis. Please review us on iTunes Download Episode #58 Directly Or subscribe Through iTunes

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Labyrinth Movie

Come along and ride on a different kind of fantastic voyage. This week, in honor of the release of Cargill’s second novel, “Queen of the Dark Things,” we discuss our favorite cinematic examples of urban fantasy. Whether in the form of dueling immortals, vengeance-seeking grunge rockers, or the full arsenal of Jim Henson‘s creative genius, these clashes of fantasy and reality capture our imagination in so many ways and served as the inspiration for Cargill’s new book. We also spend FAR too much time talking about Gone Fishin’. You’re welcome, world. You should follow Brian (@Briguysalisbury), Cargill (@Massawyrm), and the show (@Junkfoodcinema). Download Episode #11 Directly

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Don Peyote

As it turns out, it’s completely possible to spend the warmest months without seeing a single superhero or explosion, and on this week’s show, Geoff and I proclaim our excitement for the indie/non-blockbuster pics that might provide greatness this season. We’ll also talk about our all-time favorite screenplays to read. Plus, Paracinema writer Matthew Monagle is our first participant in a segment called You Have a Year and a Half to Make Us Excited About Star Wars: Episode VII. Let’s see if he persuades you. Double plus, we’ll chat with Dan Fogler about 2012 conspiracies and getting beaten up by Anne Hathaway for the trippy Don Peyote. You should follow Matthew (@labsplice), the show (@brokenprojector), Geoff (@drgmlatulippe) and Scott (@scottmbeggs) on Twitter for more on a daily basis. Please review us on iTunes Download Episode #57 Directly Or subscribe Through iTunes

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Bob Hoskins in The Long Good Friday

Last week, the film world lost a giant. Often called The Cockney Cagney, Bob Hoskins was an actor who didn’t just demand your attention on screen, he grabbed you by the throat, turned you upside down, and shook you until you could only applaud. Cargill and I do our best to adequately honor this towering talent via some of our favorites of his performances. Sure, Who Framed Roger Rabbit and Hook are tremendous films, but we stick to the deep track stuff. We also explain why Hoskins would have made the perfect Wolverine. And yes, there will be discussion of Super Mario Brothers that borders on tribute. You’ve been warned. You should follow Brian (@Briguysalisbury), Cargill (@Massawyrm), and the show (@Junkfoodcinema). Download Episode #10 Directly

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Storm in Days of Future Past

More genres, more stories, more women. This week we welcome on Screen Rant‘s Ben Kendrick for an omnibus discussion of the amazing, as-yet-unrealized potential for superhero movies. At what point will audiences get bored with the same rehashed stories? At what point will one superhero movie lose big to another superhero movie in a crowded summer? At what point will studios develop the guts to take real risks? The future may be sooner than we think. Plus, Geoff challenges me to a round of Interrogation Reviewification for The Amazing Spider-Man 2, asking perhaps the most difficult question this series has ever heard. You should follow Ben (@benkendrick), the show (@brokenprojector), Geoff (@drgmlatulippe) and Scott (@scottmbeggs) on Twitter for more on a daily basis. Please review us on iTunes Download Episode #56 Directly Or subscribe Through iTunes

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Man on Fire Movie

It was inevitable. We had been getting along too well. But here finally in our ninth episode of Junkfood Cinema, a line in the sand has been drawn. Cargill and I engage in a comparative examination of both versions of Man on Fire. That’s right, Tony Scott‘s gritty revenge vehicle for Denzel Washington was in fact a remake. But whereas I fancy the original with Scott Glenn in the Creasy role, Cargill is more partial to the remake. Truth be told, this wasn’t much of a shootout. We both have elements of each iteration of Man on Fire that we adore, but that doesn’t stop us from taking these two versions apart piece by piece. PIECE BY PIECE! Deciding which version you prefer is between you and these films, but it’s our job to arrange the meeting, and we’re all out of bubble gum. You should follow Brian (@Briguysalisbury), Cargill (@Massawyrm), and the show (@Junkfoodcinema). Download Episode #9 Directly

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