When it comes to independent films and major releases, animation is fairly underutilized medium. There are exceptions, but for the most part, it’s generally used for kid-centric stories or to paint a lush, if slightly more adult, world. That’s why movies like A Scanner Darkly and The Congress are so special. They use animation for drama and to express ideas that go beyond a few pretty shots. Both films shouldn’t be compared past that point, but they are both emotional, visual, and mental exercises — rides that you either go along with from the start or don’t. If director Ari Folman‘s The Congress grabs you from its first frame, then expect a rich science-fiction film packed with commentary, ideas, laughs, tears, and beauty. Speaking of beauty, Robin Wright (played conveniently by Robin Wright) has lost it, at least according to some slimy agist studio executive we meet working at Miramount. She’s now 44 years old. That usually means for actresses their careers are winding down, but after years of “bad” choices and choosing family over work, Robin isn’t the big deal that she once was. The offers aren’t coming in, at least not the offers she’s interested in — she wouldn’t ever dare to take part in a science-fiction film.