Academy Awards

Oscar Nominees Infographic

In all the hubbub leading up to the Academy Awards, it’s easy to forget that the annual awards ceremony is meant to be fun — at least for the people sitting at home and gleefully filling out ballots and downing designer popcorn, we suspect it’s an entirely different story for those sitting in the audience, waiting to hear their names called (or, as it more often the case, not called). Since we’re willing to be that the vast majority of our readership will not be hitting Hollywood this Sunday to potentially pick up a little golden man (and, please, correct us if we’re wrong), now seems like as good at time as any to indulge in some pre-Oscars fun. You know what that means. Infographics. Not just any infographics, however, but some of the very best of the season, the kind that are visually appealing and packed with nifty facts, from tricky depictions of Best Picture winners, swanky takes on award-winning gowns, a new theory about Jennifer Lawrence, and even a clean-lined take on some of Hollywood’s worst diversity missteps. Fun!

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Oscar Predictions 2014: Best Director

Best Director is a strange category, particularly because of its tenuous relationship to Best Picture. Does it refer to the best cohesive film, under the assumption that the director is responsible for overseeing nearly all aspects of how that film comes to be? Or does the award refer to a film’s most conspicuous control of visuals, tone, and style – the things that we most associate as evidence of a director’s guiding influence? The vague sense of what qualifies someone as worthy of honor in this category (we, of course, only assume what the director did by virtue of the finished product) is perfectly on display in one of this year’s most heated competitions: between Alfonso Cuarón’s enthralling real-time spectacle of a woman lost in orbit and Steve McQueen’s intricate, decade-long depiction of one man’s harrowing subjection. But let’s take a look at how the five nominees shake out, with my surprise predicted winner in red…

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Oscar Predictions 2014: Documentary Short

It’s a mediocre year for the Best Documentary – Short Subject category. It had been having a pretty good run, too. The Academy’s recent picks have included some remarkable little films, from simply told character profiles like Inocente and God Is the Bigger Elvis, to wise community portraits like Kings Point and Redemption, and formally intriguing works like The Tsunami and the Cherry Blossom and Rabbit à la Berlin (a personal favorite). There’s a a bit of a stereotype that this category is always just an endless parade of blandly-directed films that exist only to tug at heartstrings, but it’s actually more complex than that. Unfortunately, the batch this time around has fallen short. The nominees for Best Documentary Short at the 86th Academy Awards include one decent film, two half-decent films, one mediocre film and one bad film. With that whining out of the way, here are the films and where they stand. One of them will win, after all, no matter how much we like the overall quality of the batch. Keep reading for a look at all five nominees for Best Documentary – Short Subject along with my predicted winner in red… READ MORE AT NONFICS

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Oscar Predictions 2014: Documentary

Documentaries deserve their own category, not jut in order to spotlight nonfiction films additionally but also separately, because they aren’t easily pit against narrative works. Yet while it’s fair to say it’s too difficult to weigh something like 20 Feet From Stardom or The Act of Killing against Gravity or 12 Years a Slave, it’s just as difficult to weigh this year’s nominees for Best Documentary – Feature against one another. It’s one of the few years in which every contender is an exceptional and unique work in this area of filmmaking and not two of them is alike in any way. One may be the most enjoyable of the five, another the most important. Another is the most creative with the art of documentary storytelling, and another is the most necessary at capturing history in the making, another the most moving in telling of a history already made. Let’s give them all an Oscar! Obviously that’s not possible, and so we’re left with a race that’s not easy to predict. To do so, we must look at not only how these nominees are doing with other honors and audiences leading up to the Academy Awards, but we have to consider how they might be campaigned for as well as how they’ll be voted on. I’ve tried to do my best in that regard. Keep reading for a look at all five nominees for Best Documentary – Feature along with my predicted winner in red… READ MORE AT NONFICS

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Oscar Predictions 2014: Cinematography

Take the entire Best Picture field. They’d be nothing without the powerful visuals crafted by the towering talent of the nominees in this field, as well as the others who (for whatever reasons) didn’t make the cut. Ahem, Sean Bobbitt. The truth is we’re awash in outstanding cinematographers. If there’s a category that could be boosted to ten nominees, it’s this one. This year, the Oscar hopefuls delivered eye candy that took us from the dry wit of Big Red country to the far reaches of the horizon, from beautiful brawling grounds to the cold snap of reality. Here’s a look at the nominees with my predicted winner in red…

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Oscars

No matter how boisterous and feel-good an Academy Awards show can be (and, given that the Oscars pour out significantly less booze during the show than other big time events like, say, the Golden Globes, things don’t often get too boisterous, but just boisterous enough, classy boisterous), one portion of the telecast is always guaranteed to bring the audience, both there and at home, to some serious sniffles. The “In Memoriam” segment is always a must-watch portion of the show, even if its biggest draw isn’t always a desire to honor the deceased talents of Hollywood, it’s to see who leads off and ends the piece, who was left off, and who you totally forgot passed away this year. But how does one actually land on the list? Not surprisingly, it involves a paper trail, voting, and plenty of hurt feelings.

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Oscar Predictions 2014: Editing

Sydney Pollack once likened film editing to sculpting, and he’s (of course) right. The Invisible Art is also like having a 10,000-piece puzzle to solve without knowing exactly what the final image is supposed to look like. You’re creating the puzzle while solving it. It’s a remarkable skill that blends technical prowess with creative ability and gut-level instinct. This year, the Oscar nominees in this field were able to successfully submerge us into the world of antebellum slavery, 1970s swagger, modern-day violence, 1980s epidemic rebellion and futuristic-feeling isolation. Read on to learn more about the nominees with my predicted winner in red…

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Oscar Predictions 2014: Visual Effects

The horse race! The great question! The draw of history! Is there anything more exciting than the uncertainty of not knowing who will take home gold on Oscars’ big night? Of course there is. Lots of things are more exciting, and there’s no uncertainty here because Gravity is going to win the crap out of this award. So instead, let’s talk briefly about magic. Because that’s what visual effects are. Ever since the first days when a train scared people by pulling into the station, film itself was magic. The idea that you can capture the world around you and preserve it on a chemical strip has an air of sorcery to it, as it should, but we’ve had a century to get used to the mechanism, so visual effects have taken on the hefty mantle of casting spells. Like making us believe we’re in space, or fighting a dragon, or fighting an exploding foe, or fist-fighting on top of a train, or returning to space. Here’s a look at all five nominees with behind-the-scenes VFX videos to make up for my totally unsurprising predicted winner (which is in red)…

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Oscar Predictions 2014: Foreign Film

Best Foreign Language Film remains one of the tougher categories to predict well in advance, but the last few years have seen the race narrow in the final weeks to reveal an obvious winner. In a Better World, A Separation, and last year’s Amour were all easily identified winners before the Oscar telecast. This year appears to be no different. The nominees come from a fairly respectable spread of countries including Belgium, Cambodia, Denmark, Italy, and Palestine. Cambodia’s submission is only their third ever and their first to receive a nomination, and just as notable is the fact that the film is a documentary. Hopefully they’re happy with the footnotes, though, as they won’t be taking home the gold on Oscar night. Keep reading for a look at all five of this year’s nominees for Best Foreign Language Film along with my predicted winner in red…

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Oscar Predictions 2014: Production Design

When pundits begin to go on about the look of a film, most often the person they name drop is the director, or maybe the cinematographer. But one should never overlook the importance of the production designer. They’re probably the most hands-on when it comes to dealing with the collaboration of all the costumes, hair, and makeup, dressing locations and building sets, finding or fabricating props, and basically ensuring that everything you see on the screen fits into a unified vision of how the movie is supposed to look. One might even say that these are the people who create the worlds that movies exist in. Because of that, the further away a film can get, visually, from our everyday reality, the more likely it is to be recognized for its production design come awards season. It’s much easier to notice the work that went into creating a fantasy world or bringing back a lost era than it is to notice the work that went into making Vancouver look like New York, after all. In keeping with that trend, this year the Academy has chosen for the category’s nominees a movie that takes place in the swinging 70s, a movie that takes place in the vacuum of space, a movie that takes place in the roaring 20s, a movie that takes place in a future version of LA, and one that takes place in the plantation-era of the southern United States. Nothing from either the here or the now. Here’s […]

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Oscar Nominated Short Films 2014

Everyone hates that one person at the Oscar party who’s seen absolutely every movie that’s been nominated and who goes to great lengths to make sure everyone else hears their opinions on each one, just to let them know that they’re only rooting for their favorites out of a place of ignorance and to shame them for basically being Christmas Eve and Easter Sunday movie watchers. Unless, of course, you are that person. Then there’s no greater thrill than lording your superior knowledge over the riffraff who just showed up to drink wine and hover over the cheese platter. As far as Oscar parties go, the only thing better than being the person who’s seen more of the nominees than anyone else is being the person who gets sat next to the cheese. Seeing as it would probably be in our best interests to keep our dignity and not become known as the most desperate snack-snatcher come this Sunday, being the smarmiest smarty-pants should be the goal we shoot for. Given our strategy, the biggest hurdle we’re going to need to get over when it comes to having a complete knowledge of what deserves to be praised and what deserves to be shamed come awards time is obviously the short films. Let’s be honest here, nobody is ever able to get around to all of the shorts by the time the ceremony happens. That could all change today though, because now there’s a way you can binge watch them all […]

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Oscar Predictions 2014: Adapted Screenplay

Don’t tell anyone, but the screenplay categories, both original and adapted, remain the only Oscar contests that truly matter to me. It’s not just my respect for the written word or any personal interest I may have in the art form, instead it’s the understanding that the script is the singular basis from which every other element of a film builds. Adapted screenplays have the additionally daunting task of taking an existing creation, whether it be a book, article, or television show, and crafting something new, compact, and wholly its own. All but one of this year’s nominees are adapting a nonfiction memoir, while the fifth is a sequel. Keep reading for a look at all five of this year’s nominees for Best Adapted Screenplay along with my predicted winner in red…

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Oscar Predictions 2014: Original Score

Unlike a singular song, a film’s score stays with a narrative from beginning to end, helping to reinforce the emotions on screen and round out the overall feeling and impression of a film. It is a delicate balance and it is the scores which are able to make an impression, without distracting from the film itself, that rise to the top to become the scores that are remembered long after a film ends. The nominees for Best Original Score this year are a combination of familiar names (John Williams, Alexandre Desplat, Thomas Newman) along with some new ones (Steven Price, William Butler, Owen Pallett). The five films these scores are nominated from are powerful stories about people dealing with extraordinary situations from fighting for love, family, stories, even one’s own life. The music in each of these films is an incredibly important element as it helps give each story the weight it deserves. Williams, Desplat, and Newman are distinguished talents who have proven their staying power over the years and helped elevate their respective films thanks to their music whereas the scores from Price, Butler, and Pallett are not only from newer voices, they are attached to two films that pushed the envelope when it came to visual style and narrative approach. We review the five nominees and predict who we think will win in red…

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Oscar Predictions 2014: Original Screenplay

The Best Original Screenplay Oscar is one category that, despite all the issues with the Academy Awards, seems to make at least some gestures in terms of actually honoring the craft recognized: in this case, the artistry of character-building, dialogue, and storytelling. This is the award that beloved smaller films tend to win, while their more trumpeting competitors take home The Big One. These are the films that defy the screenplay’s almost uniform use as a blueprint, and treat film writing as a form of literature on its own. It would seem at first glance that this year’s Best Original Screenplay award is a particularly competitive category. After all, it hosts quite a pedigree specific to this award, where movies by Spike Jonze, Alexander Payne, and Woody Allen have all enjoyed successful recognition before. But make no mistake: this is American Hustle’s to lose. An upset isn’t impossible, but this is perhaps one of the most locked categories this year. But let’s take a look at how the five nominees shake out, with my surprise winner predicted in red…

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Oscar Predictions 2014: Original Song

This year’s nominees for Best Original Song come from four films that tackle very different subject matter – fighting an evil villain (with the help of some tiny yellow friends), finding love in unexpected ways, learning to accept who you are, and the story of a man who lived an extraordinary life. But there is one thing that unites all these songs: an uplifting spirit. Songs featured in films should capture the feeling of the film itself and all four of these nominations do just that in very different and compelling ways. Some will move you to tears where others will put a smile on your face, but the one thing all four will do is make you feel. The fact that all four nominees are going to be performed live by Pharell Williams, Karen O, Idina Menzel, and U2 promises this category’s presentation to be one of Oscar night’s best moments. We break down the nominees with my prediction of which song I think will win in red…

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Oscar Predictions 2014: Actor

The Best Actor field this year is a bit different than normal. Christian Bale is the only nominee to have won an Oscar, and that was in the Best Supporting Actor category. More over, two of the nominees (Chiwetel Ejiofor and Matthew McConaughey) have never received a nomination before. It’s not that these guys are newcomers. They’ve been acting for years, some of them in respected and popular films. The Academy is just finally getting around to giving them some recognition. Still, each nomination comes with a social issue attached to it. Whether it be the greed of American Hustle and The Wolf of Wall Street, the plight of the elderly in Nebraska, slavery and white guilt in 12 Years a Slave, or good old fashioned AIDS baiting for the Academy voters in Dallas Buyers Club, these nominations could be seen as a nod to the issue rather than the actor. (This could explain why Robert Redford and Tom Hanks were shut out of the contest this year: no social issues with lost yachters and captains who thwart Somali pirate attacks.) No matter what, someone will be winning his first Best Actor Oscar. Keep reading for a look at all five nominees for Best Actor along with my predicted winner in red…

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Oscar Predictions 2014: Actress

Call it the innate sexism that exists in Hollywood, but many years, the Best Actress category is less interesting than the Best Actor category. This can easily be blamed on the fewer great roles for women in movies today. However, this year, that doesn’t seem to be the case. Not only is this an incredibly strong field for the films they’ve appeared in, this is an incredibly strong field for the actresses themselves. All five women in this category are previous nominees – some of them many times over. (I’m looking at you, Meryl Streep, with your list of nominations almost as long as your list of hairstyles over the years.) Regardless, the Best Actress crop is a fertile one this year, featuring some fantastic performances in some really excellent films. As predictable as it might appear, it would be no surprise if things took a turn for anyone on this list. Keep reading for a look at all five nominees for Best Actress along with my predicted winner in red…

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Oscar Predictions 2014: Supporting Actor

The Best Supporting Actor category at this year’s Academy Awards is a tough race, because there isn’t a single nominee who doesn’t deserve to be there. All five men brought vastly different roles to the table, and it’s clear that they’re playing to win. But couldn’t the Academy have, just for a minute, thought to consider that shit and nominate James Franco for Spring Breakers? Franco’s controversial role as Alien in the equally controversial Harmony Korine film was divisive to say the least, but it’s his strongest to date. Plus, wouldn’t it have been wonderful to see that Oscar campaign go on just a little bit longer? Daydreams of what might have been aside, the talent that made the cut is tremendous. Keep reading for a look at all five nominees for Best Supporting Actor along with my predicted winner in red…

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Oscar Predictions 2014: Supporting Actress

Every year, the Academy Awards kick into two extremely important categories quite early, swiftly doling out Best Supporting Actress and Best Supporting Actors statuettes before most people have settled into their seats (both at the ceremony and at whatever shindig viewers are throwing in the safety of their own home). It’s a whirlwind and it’s a hell of way to start off the show, but damn if it doesn’t always feel a bit stilted. These are big awards, you guys, and they so often signal the arrival of new talents to watch out for, the kind of thespians we might soon see going for leading awards. Give them some space! The Supporting section also allows for a great variety of nominees, recognizing performers of every age, from veterans to newbies, and from every kind of performance, from those who appear alongside leads throughout features and those who show up for a memorable minute or so. This year’s Best Supporting Actress field, however, places a premium on heft — at least, on hefty performance time — including five actresses who quite easily helped make their features sing, and a few that might just have squeaked by with a Best Actress nomination instead (sorry, Julia Roberts). But who will win? Oh, we don’t know, but we’ve got some ideas. Keep reading for a look at all five nominees for Best Supporting Actress along with my predicted winner in red…

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Ashley-Benson-Rachel-Korine-Selena-Gomez-And-Vanessa-Hudgens2

Every year that goes by without a Special Achievement Academy Award given out at the Oscars is another year where it feels like cinema isn’t moving forward. Of course, cinema is moving forward. The last such award was received way back in 1996 by John Lasseter for making the first feature-length computer-animated film (Toy Story), yet things have changed and progressed in those 18 years in a multitude of ways, just maybe nothing so noticeably groundbreaking as that. Animation has instead improved gradually. So have computer-generated visual effects, and the truly important advances of the latter do tend to get recognized with the Scientific & Technical Academy Awards. Plus, unlike the early years of the Special Achievement Award, there’s actually a permanent visual effects category again. In fact, most of the areas that the award has honored in the past now have their own category. But the special Oscar doesn’t have to be just for visual effects, sound effects and sound editing, as it mostly has been. The purpose of the award is, according to the Academy, “for an outstanding contribution to a particular movie when there is no annual award category that applies to the contribution.” That can be any number of elements that go into moviemaking, from stunts to casting to catering. And the “outstanding contribution” doesn’t need to be anything game-changing. The three “unsung heroes” spotlighted this week by Variety — Lone Survivor stunt coordinator Kevin Scott, Inside Llewyn Davis animal trainer Dawn Barkan and Her video […]

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published: 12.23.2014
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published: 12.22.2014
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published: 12.19.2014
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