Allison Loring

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With Empire and Nashville, Music Has Taken Over Wednesday Nights On TV

By Allison Loring 

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When It Comes to Movies About Music, Chemistry Matters

By Allison Loring 

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What The Film Music of 2015 Will Sound Like

By Allison Loring 

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How ‘A Most Violent Year’ Changed Composer Alex Ebert’s View on Music

By Allison Loring 

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The Best Movie Music of 2014

By Allison Loring 

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Lorde’s Curated ‘Hunger Games’ Soundtrack Isn’t Really a Soundtrack

By Allison Loring 

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‘Still Alice’ Review: Julianne Moore Peels Back the Layers on a Heartbreaking Disease

By Allison Loring 

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The Electric Side of James Newton Howard

By Allison Loring 

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‘The Homesman’ Review: Tommy Lee Jones On An Ill-Fated Journey

By Allison Loring